Antonio Rodà

Publication Activity (10 Years)

Years Active: 1997-2024
Publications (10 Years): 37

Top Topics

Social Interaction

Interactive Learning

Top Venues

Audio Mostly Conference

Multim. Tools Appl.

Publications

Nicolo Merendino, Antonio Rodà, Raul Masu
"Below 58 BPM," involving real-time monitoring and self-medication practices in music performance through IoT technology. Frontiers Comput. Sci. 6 (2024)
Raul Masu, Nicolo Merendino, Antonio Rodà, Luca Turchet
Sustainable Internet of Musical Things: Strategies to Account for Environmental and Social Sustainability in Network-Based Interactive Music Systems. IEEE Access 12 (2024)
Andrea Franceschini, Antonio Rodà
Play to Learn: from Serious Games to just Games. GoodIT (2023)
Silvana Badaloni, Antonio Rodà, Martino Scagnet
An Italian Dataset for the Analysis of Gender Stereotypes in Textual Documents. BEWARE@AI*IA (2023)
Tiziana Battistin, Nadir Dalla Pozza, Silvia Trentin, Giovanni Volpin, Andrea Franceschini, Antonio Rodà
Co-designed mini-games for children with visual impairment: a pilot study on their usability. Multim. Tools Appl. 82 (4) (2023)
Nicolo Merendino, Giovanni Dinello, Alessandro Rizzo, Antonio Rodà, Raul Masu
Poster - Noiseboard Project: Using Sensors and Long-Range Wireless Communication For Musical Augmentation of Skateboarding. CHItaly (2023)
Filippo Carnovalini, Antonio Rodà, Geraint A. Wiggins
Interactive Generation of Musical Corpora for Piano Education: Opportunities and Open Challenges. CSEDU (1) (2023)
Filippo Carnovalini, Antonio Rodà, Paolo Caneva
A rhythm-aware serious game for social interaction. Multim. Tools Appl. 82 (3) (2023)
Pierluigi Bontempi, Sergio Canazza, Filippo Carnovalini, Antonio Rodà
Research in Computational Expressive Music Performance and Popular Music Production: A Potential Field of Application? Multimodal Technol. Interact. 7 (2) (2023)
Filippo Carnovalini, Alessandro Pelizzo, Antonio Rodà, Sergio Canazza
Harmonization and Evaluation; Tweaking the Parameters on Human Listeners. CoRR (2022)
Silvana Badaloni, Antonio Rodà
Gender Knowledge and Artificial Intelligence (short paper). BEWARE@AI*IA (2022)
Filippo Carnovalini, Antonio Rodà
A Real-Time Tempo and Meter Tracking System for Rhythmic Improvis. CoRR (2022)
Filippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer, Geraint A. Wiggins
A New Corpus for Computational Music Research and A Novel Method for Musical Structure Analysis. CoRR (2022)
Filippo Carnovalini, Antonio Rodà, Paolo Caneva
A Musical Serious Game for Social Interaction through Augmented Rhythmic Improvisation. CoRR (2022)
Filippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer, Geraint A. Wiggins
A New Corpus for Computational Music Research andA Novel Method for Musical Structure Analysis. Audio Mostly Conference (2021)
Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. Audio Mostly Conference (2021)
Filippo Carnovalini, Nicholas Harley, Steven T. Homer, Antonio Rodà, Geraint A. Wiggins
Musical Structure Analysis and Generation Through Abstraction Trees. CMMR (2021)
Filippo Carnovalini, Nicholas Harley, Steven T. Homer, Antonio Rodà, Geraint A. Wiggins
Meta-Evaluating Quantitative Internal Evaluation: A Practical Approach for Developers. ICCC (2021)
Nicolo Merendino, Antonio Rodà
Defining an open source CAD workflow for experimental music and media arts. ARTECH (2021)
Antonio Rodà, Riccardo Luise, Nadir Dalla Pozza, Alberto Padoan, Andrea Cucinotta, Gaia Turra, Silvia Trentin
Co-designed mini-games for children with severe visual impairment. GoodIT (2021)
Filippo Carnovalini, Antonio Rodà
Computational Creativity and Music Generation Systems: An Introduction to the State of the Art. Frontiers Artif. Intell. 3 (2020)
Zezhou Sun, Antonio Rodà, Emily Whiting, Emanuela Faresin, Giuseppe Salemi
3D Virtual Reconstruction and Sound Simulation of an Ancient Roman Brass Musical Instrument. HCI (35) (2020)
Vincenzo Norman Vitale, Marco Olivieri, Antonio Origlia, Niccolò Pretto, Antonio Rodà, Francesco Cutugno
Acoustic Experiences for Cultural Heritage Sites: A Pilot Experiment on Spontaneous Visitors' Interest. HCI (35) (2020)
Giulio Pitteri, Edoardo Micheloni, Antonio Rodà, Carlo Fantozzi, Nicola Orio
Listen By Looking: a mobile application for augmented fruition of live music and interactive learning. GOODTECHS (2019)
Filippo Carnovalini, Antonio Rodà, Paolo Caneva
A Musical Serious Game for Social Interaction through Augmented Rhythmic Improvisation. GOODTECHS (2019)
Antonio Origlia, Francesco Cutugno, Antonio Rodà, Piero Cosi, Claudio Zmarich
FANTASIA: a framework for advanced natural tools and applications in social, interactive approaches. Multim. Tools Appl. 78 (10) (2019)
Edoardo Micheloni, Marco Tramarin, Antonio Rodà, Federico Chiaravalli
Playing to play: a piano-based user interface for music education video-games. Multim. Tools Appl. 78 (10) (2019)
Filippo Carnovalini, Antonio Rodà
A Real-Time Tempo and Meter Tracking System for Rhythmic Improvisation. Audio Mostly Conference (2019)
Marcella Mandanici, Federico Altieri, Antonio Rodà, Sergio Canazza
Inclusive sound and music serious games in a large-scale responsive environment. Br. J. Educ. Technol. 49 (4) (2018)
Federico Simonetta, Filippo Carnovalini, Nicola Orio, Antonio Rodà
Symbolic Music Similarity through a Graph-Based Representation. Audio Mostly Conference (2018)
Marcella Mandanici, Antonio Rodà, Marco Ricca
The Task of Walking Straight as an Interactive Serious Game for Blind Children. EAI Endorsed Trans. Serious Games 5 (16) (2018)
Antonio Origlia, Federico Altieri, Giorgia Buscato, Alice Morotti, Claudio Zmarich, Antonio Rodà, Piero Cosi
Evaluating a multi-avatar game for speech therapy applications. GOODTECHS (2018)
Luca Turchet, Damiano Zanotto, Simone Minto, Antonio Rodà, Sunil K. Agrawal
Emotion Rendering in Plantar Vibro-Tactile Simulations of Imagined Walking Styles. IEEE Trans. Affect. Comput. 8 (3) (2017)
Luca Turchet, Antonio Rodà
Emotion Rendering in Auditory Simulations of Imagined Walking Styles. IEEE Trans. Affect. Comput. 8 (2) (2017)
Antonio Origlia, Piero Cosi, Antonio Rodà, Claudio Zmarich
A Dialogue-based Software Architecture for Gamified Discrimination Tests. GHITALY@CHItaly (2017)
Marcella Mandanici, Antonio Rodà, Sergio Canazza, Giulia Cavagnoli
Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering. GOODTECHS (2017)
Marcella Mandanici, Antonio Rodà, Sergio Canazza
: An Interactive Physical Environment to Learn Tonal Melody Accompaniment. Adv. Multim. 2016 (2016)
Sergio Canazza, Giovanni De Poli, Antonio Rodà
CaRo 2.0: An Interactive System for Expressive Music Rendering. Adv. Hum. Comput. Interact. 2015 (2015)
Marcella Mandanici, Antonio Rodà, Sergio Canazza
A conceptual framework for motion based music applications. SIVE@VR (2015)
Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC (2014)
Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri
How blue is Mozart? Non verbal sensory scales for describing music qualities. ICMC (2014)
Antonio Rodà, Sergio Canazza, Giovanni De Poli
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. IEEE Trans. Affect. Comput. 5 (4) (2014)
Marcella Mandanici, Antonio Rodà, Sergio Canazza
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. ICMC (2014)
Giovanni De Poli, Sergio Canazza, Antonio Rodà, Emery Schubert
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11 (4) (2014)
Federica Bressan, Sergio Canazza, Antonio Rodà
Interactive Multimedia Installations: Towards a Model for Preservation. ArtsIT (2013)
Serena Zanolla, Sergio Canazza, Antonio Rodà, Antonio Camurri, Gualtiero Volpe
Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment. Entertain. Comput. 4 (3) (2013)
Giulio Rosati, Antonio Rodà, Federico Avanzini, Stefano Masiero
On the Role of Auditory Feedback in Robot-Assisted Movement Training after Stroke: Review of the Literature. Comput. Intell. Neurosci. 2013 (2013)
Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani
The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. Adv. Multim. 2013 (2013)
Serena Zanolla, Antonio Rodà, Filippo Romano, Francesco Scattolin, Gian Luca Foresti, Sergio Canazza, Corrado Canepa, Paolo Coletta, Gualtiero Volpe
Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria. INTETAIN (2011)
Ingrid Visentini, Antonio Rodà, Sergio Canazza, Lauro Snidaro
Audio-Video Analysis of Musical Expressive Intentions. ICIAP (2) (2011)
Antonio Rodà, Christian Micheloni
Tracking sound sources by means of HMM. AVSS (2011)
Daniele Salvati, Antonio Rodà, Sergio Canazza, Gian Luca Foresti
Multiple acoustic sources localization using incident Signal Power comparison. AVSS (2011)
Antonio Rodà
Perceptual tests and feature extraction: Toward a novel methodology for the assessment of the digitization of old ethnic music records. Signal Process. 90 (4) (2010)
Marco Cristani, Anna Pesarin, Carlo Drioli, Vittorio Murino, Antonio Rodà, Michele Grapulin, Nicu Sebe
Toward an automatically generated soundtrack from low-level cross-modal correlations for automotive scenarios. ACM Multimedia (2010)
Nicola Orio, Antonio Rodà
A Measure of Melodic Similarity based on a Graph Representation of the Music Structure. ISMIR (2009)
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin
Modeling and control of expressiveness in music performance. Proc. IEEE 92 (4) (2004)
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon
Real Time Analysis of Expressive Contents in Piano Performances. ICMC (2002)
Sergio Canazza, Alvise Vidolin, Giovanni De Poli, Carlo Drioli, Antonio Rodà
Expressive Morphing for Interactive Performance of Musical Scores. WEDELMUSIC (2001)
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. ICMC (2000)
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin
Audio Morphing Different Expressive Intentions for Multimedia Systems. IEEE Multim. 7 (3) (2000)
Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà
Expressive Processing of Audio and MIDI Performances in Real Time. ICMC (1999)
Antonio Rodà, Sergio Canazza
Adding Expressiveness in Musical Performance in Real Time. ICMCS, Vol. 2 (1999)
Sergio Canazza, Antonio Rodà, Nicola Orio
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. ICMC (1999)
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin
Adding Expressiveness to Musical Messages. ICMCS, Vol. 2 (1999)
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin
Analysis by synthesis of the expressive intentions in musical performance. ICMC (1997)