Sergio Canazza

Publication Activity (10 Years)

Years Active: 1996-2024
Publications (10 Years): 21

Top Topics

Physical Environment

Digital Filters

Top Venues

Publications

Alessandro Fiordelmondo, Sergio Canazza, Niccolò Pretto
Reactivating and Preserving Interactive Multimedia Artworks: An Analog Performance from the Seventies. ACM Journal on Computing and Cultural Heritage 17 (2) (2024)
Anna Zuccante, Alessandro Fiordelmondo, Pierluigi Bontempi, Sergio Canazza
A Signal-Processing-Based Simulation System for High-End Stereo Headsets. Sensors 24 (7) (2024)
Pierluigi Bontempi, Daniele Manerba, Alexandre D'Hooge, Sergio Canazza
From MIDI to Rich Tablatures: an Automatic Generative System incorporating Lead Guitarists' Fingering and Stylistic choices. CoRR (2024)
Pierluigi Bontempi, Sergio Canazza, Filippo Carnovalini, Antonio Rodà
Research in Computational Expressive Music Performance and Popular Music Production: A Potential Field of Application? Multimodal Technol. Interact. 7 (2) (2023)
Alessandro Russo, Matteo Spanio, Sergio Canazza
Enhancing Preservation and Restoration of Open Reel Audio Tapes Through Computer Vision. ICIAP Workshops (2) (2023)
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History. Sensors 22 (9) (2022)
Filippo Carnovalini, Alessandro Pelizzo, Antonio Rodà, Sergio Canazza
Harmonization and Evaluation; Tweaking the Parameters on Human Listeners. CoRR (2022)
Roberta Bianca Luzietti, Niccolò Pretto, Frédéric Kaplan, Alain Dufaux, Sergio Canazza
FONTI 4.0: Evaluating Speech-to-Text Automatic Transcription of Digitized Historical Oral Sources. CLiC-it (2021)
Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. Audio Mostly Conference (2021)
Dario De Notaris, Sergio Canazza, Carlo Mariconda, Cristina Paulon
How to play a MOOC: Practices and simulation. Entertain. Comput. 37 (2021)
Niccolò Pretto, Edoardo Micheloni, Anthony Chmiel, Nadir Dalla Pozza, Dario Marinello, Emery Schubert, Sergio Canazza
Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes. Adv. Multim. 2021 (2021)
Niccolò Pretto, Edoardo Micheloni, Silvia Gasparotto, Carlo Fantozzi, Giovanni De Poli, Sergio Canazza
Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt. ACM Journal on Computing and Cultural Heritage 13 (2) (2020)
Sergio Canazza, Giovanni De Poli
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale. Comput. Music. J. 43 (4) (2019)
Niccolò Pretto, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, Sergio Canazza
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape. Comput. Music. J. 42 (4) (2018)
Marcella Mandanici, Federico Altieri, Antonio Rodà, Sergio Canazza
Inclusive sound and music serious games in a large-scale responsive environment. Br. J. Educ. Technol. 49 (4) (2018)
Marcella Mandanici, Federico Altieri, Niccolò Pretto, Matteo Munaro, Sergio Canazza, Emanuele Menegatti
The "Good or Bad?" Game: Stimulating Listening Skills through Playful Engagement. GOODTECHS (2018)
Edoardo Micheloni, Niccolò Pretto, Sergio Canazza
A Step Toward AI Tools for Quality Control and Musicological Analysis of Digitized Analogue Recordings: Recognition of Audio Tape Equalizations. AI*CH@AI*IA (2017)
Carlo Fantozzi, Federica Bressan, Niccolò Pretto, Sergio Canazza
Tape music archives: from preservation to access. Int. J. Digit. Libr. 18 (3) (2017)
Marcella Mandanici, Antonio Rodà, Sergio Canazza, Giulia Cavagnoli
Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering. GOODTECHS (2017)
Federica Bressan, Sergio Canazza, Tim Vets, Marc Leman
Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art. IRCDL (2016)
Marcella Mandanici, Antonio Rodà, Sergio Canazza
: An Interactive Physical Environment to Learn Tonal Melody Accompaniment. Adv. Multim. 2016 (2016)
Sergio Canazza, Giovanni De Poli, Antonio Rodà
CaRo 2.0: An Interactive System for Expressive Music Rendering. Adv. Hum. Comput. Interact. 2015 (2015)
Sergio Canazza, Carlo Fantozzi, Niccolò Pretto
Accessing Tape Music Documents on Mobile Devices. ACM Trans. Multim. Comput. Commun. Appl. 12 (1s) (2015)
Marcella Mandanici, Antonio Rodà, Sergio Canazza
A conceptual framework for motion based music applications. SIVE@VR (2015)
Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC (2014)
Federica Bressan, Sergio Canazza
Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music. IRCDL (2014)
Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico
The Counterpoint Game: Rules, Constraints and Computational Spaces. ICMC (2014)
Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri
How blue is Mozart? Non verbal sensory scales for describing music qualities. ICMC (2014)
Federica Bressan, Sergio Canazza
The challenge of preserving interactive sound art: a multi-level approach. Int. J. Arts Technol. 7 (4) (2014)
Antonio Rodà, Sergio Canazza, Giovanni De Poli
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. IEEE Trans. Affect. Comput. 5 (4) (2014)
Marcella Mandanici, Antonio Rodà, Sergio Canazza
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. ICMC (2014)
Giovanni De Poli, Sergio Canazza, Antonio Rodà, Emery Schubert
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11 (4) (2014)
Sergio Canazza, Gian Luca Foresti
A Multimodal Learning System for Individuals with Sensorial, Neuropsychological, and Relational Impairments. J. Sensors 2013 (2013)
Federica Bressan, Sergio Canazza, Antonio Rodà
Interactive Multimedia Installations: Towards a Model for Preservation. ArtsIT (2013)
Serena Zanolla, Sergio Canazza, Antonio Rodà, Antonio Camurri, Gualtiero Volpe
Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment. Entertain. Comput. 4 (3) (2013)
Daniele Salvati, Sergio Canazza
Adaptive Time Delay Estimation Using Filter Length Constraints for Source Localization in Reverberant Acoustic Environments. IEEE Signal Process. Lett. 20 (5) (2013)
Federica Bressan, Sergio Canazza
A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools. J. Electr. Comput. Eng. 2013 (2013)
Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani
The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. Adv. Multim. 2013 (2013)
Sergio Canazza
The digital curation of ethnic music audio archives: from preservation to restoration - Preserving a multicultural society. Int. J. Digit. Libr. 12 (2-3) (2012)
Daniele Salvati, Sergio Canazza, Gian Luca Foresti
A microphone array Interface for Real-Time Interactive Music Performance. ICMC (2012)
Serena Zanolla, Antonio Rodà, Filippo Romano, Francesco Scattolin, Gian Luca Foresti, Sergio Canazza, Corrado Canepa, Paolo Coletta, Gualtiero Volpe
Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria. INTETAIN (2011)
Ingrid Visentini, Antonio Rodà, Sergio Canazza, Lauro Snidaro
Audio-Video Analysis of Musical Expressive Intentions. ICIAP (2) (2011)
Federica Bressan, Sergio Canazza
Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona". MM4CH (2011)
Daniele Salvati, Antonio Rodà, Sergio Canazza, Gian Luca Foresti
Multiple acoustic sources localization using incident Signal Power comparison. AVSS (2011)
Sergio Canazza, Antonina Dattolo
Toward an Audio Digital Library 2.0: Smash, a Social Music Archive of SHellac Phonographic Discs. IRCDL (2010)
Sergio Canazza, Nicola Orio
Audio Objects Access: Tools for the Preservation of the Cultural Heritage. IRCDL (2010)
Sergio Canazza, Antonina Dattolo
Listening the photos. SAC (2010)
Sergio Canazza, Antonio Camurri, Ichiro Fujinaga
Ethnic music audio documents: From preservation to fruition. Signal Process. 90 (4) (2010)
Sergio Canazza, Giovanni De Poli, Gian Antonio Mian
Restoration of Audio Documents by Means of Extended Kalman Filter. IEEE Trans. Speech Audio Process. 18 (6) (2010)
Christian Micheloni, Sergio Canazza, Gian Luca Foresti
Audio-video biometric recognition for non-collaborative access granting. J. Vis. Lang. Comput. 20 (6) (2009)
Sergio Canazza, Nicola Orio
Digital Preservation and Access of Audio Heritage: A Case Study for Phonographic Discs. ECDL (2009)
Nicola Orio, Lauro Snidaro, Sergio Canazza, Gian Luca Foresti
Methodologies and tools for audio digital archives. Int. J. Digit. Libr. 10 (4) (2009)
Giovanni Ferrin, Lauro Snidaro, Sergio Canazza, Gian Luca Foresti
Soft data issues in fusion of video surveillance. FUSION (2008)
Sergio Canazza, Antonina Dattolo
New Data Structure for Old Musical Open Works. NIME (2008)
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin
Modeling and control of expressiveness in music performance. Proc. IEEE 92 (4) (2004)
Sergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro Scarpa
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire. ICMC (2002)
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon
Real Time Analysis of Expressive Contents in Piano Performances. ICMC (2002)
Sergio Canazza, Alvise Vidolin, Giovanni De Poli, Carlo Drioli, Antonio Rodà
Expressive Morphing for Interactive Performance of Musical Scores. WEDELMUSIC (2001)
Sergio Canazza, Guido Coraddu, Giovanni De Poli, Gian Antonio Mian
An Objective and Subjective Comparison of Audio Restoration Systems. ICHIM (2) (2001)
Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music. ICMC (2000)
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. ICMC (2000)
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin
Audio Morphing Different Expressive Intentions for Multimedia Systems. IEEE Multim. 7 (3) (2000)
Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà
Expressive Processing of Audio and MIDI Performances in Real Time. ICMC (1999)
Antonio Rodà, Sergio Canazza
Adding Expressiveness in Musical Performance in Real Time. ICMCS, Vol. 2 (1999)
Sergio Canazza, Antonio Rodà, Nicola Orio
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. ICMC (1999)
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin
Adding Expressiveness to Musical Messages. ICMCS, Vol. 2 (1999)
Sergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin
A Model To Add Expressiveness To Automatic Musical Performance. ICMC (1998)
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin
Analysis by synthesis of the expressive intentions in musical performance. ICMC (1997)
Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin
Sonological Analysis of Clarinet Expressivity. Joint International Conference on Cognitive and Systematic Musicology (1996)
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance. Joint International Conference on Cognitive and Systematic Musicology (1996)