Comput. Music. J.

Keyphrases

Publications

volume 46, number 1-2, 2022

Rosalia Soria-Luz
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans. Comput. Music. J. 46 (1-2) (2022)
Rodrigo F. Cádiz, Federico Schumacher
Editors' Notes. Comput. Music. J. 46 (1-2) (2022)
Rodrigo F. Cádiz, Federico Schumacher
Sound Anthology: Program Notes. Comput. Music. J. 46 (1-2) (2022)
Ross Feller
James Dashow: Soundings in Pure Duration, Volume 2. Comput. Music. J. 46 (1-2) (2022)
Mario Alberto Duarte-García, Emma Wilde
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico. Comput. Music. J. 46 (1-2) (2022)
Rodrigo F. Cádiz, Federico Schumacher
Sound Anthology: Content. Comput. Music. J. 46 (1-2) (2022)
Ricardo Dal Farra
Part of Computer Music History... (Trust Me, Latin America Has Always Been There!). Comput. Music. J. 46 (1-2) (2022)
Douglas Keislar
About This Issue. Comput. Music. J. 46 (1-2) (2022)
Guillermo Eisner
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico. Comput. Music. J. 46 (1-2) (2022)
Flo Menezes
The Studio PANaroma and Electroacoustic Music in Brazil. Comput. Music. J. 46 (1-2) (2022)
Felipe de Almeida Ribeiro, Ricardo de Oliveira Thomasi
Mapping Out the Origins of Electroacoustic Music Studios in Brazil. Comput. Music. J. 46 (1-2) (2022)
Juan Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Joaquín Rizza, Pablo Ernesto Riera
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters. Comput. Music. J. 46 (1-2) (2022)
André Rabello-Mestre, Felipe Otondo
Listening to the Anthropocene: A Queda do Céu. Comput. Music. J. 46 (1-2) (2022)

volume 46, number 3, 2022

volume 46, number 4, 2022

volume 45, number 2, 2021

volume 45, number 3, 2021

volume 45, number 4, 2021

Seth Rozanoff
SONDA Festival 2022. Comput. Music. J. 45 (4) (2021)
Carmine-Emanuele Cella, Daniele Ghisi, Yan Maresz, Alessandro Petrolati, Alexandre Teiller, Philippe Esling
Dynamic Computer-Aided Orchestration in Practice with Orchidea. Comput. Music. J. 45 (4) (2021)
Roger B. Dannenberg
Communication for Real-Time Music Systems: An Overview of O2. Comput. Music. J. 45 (4) (2021)
Daniele Ghisi, Carmine-Emanuele Cella
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration. Comput. Music. J. 45 (4) (2021)
Sérgio Freire, Augusto Armondes, Rubens Silva
Real-Time Symbolic Transcription and Interactive Transformation Using a Hexaphonic Nylon-String Guitar. Comput. Music. J. 45 (4) (2021)
Ross Feller
Barry Schrader: Lost Analog. Comput. Music. J. 45 (4) (2021)
Douglas Keislar
About This Issue. Comput. Music. J. 45 (4) (2021)