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Comput. Music. J.
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1999
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volume 46, number 1-2, 2022
Rodrigo F. Cádiz
,
Federico Schumacher
Sound Anthology: Program Notes.
Comput. Music. J.
46 (1-2) (2022)
Douglas Keislar
About This Issue.
Comput. Music. J.
46 (1-2) (2022)
Ricardo Dal Farra
Part of Computer Music History... (Trust Me, Latin America Has Always Been There!).
Comput. Music. J.
46 (1-2) (2022)
Mario Alberto Duarte-García
,
Emma Wilde
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico.
Comput. Music. J.
46 (1-2) (2022)
Ross Feller
James Dashow: Soundings in Pure Duration, Volume 2.
Comput. Music. J.
46 (1-2) (2022)
Rodrigo F. Cádiz
,
Federico Schumacher
Sound Anthology: Content.
Comput. Music. J.
46 (1-2) (2022)
Rosalia Soria-Luz
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans.
Comput. Music. J.
46 (1-2) (2022)
Juan Ramos
,
Esteban Calcagno
,
Ramiro Oscar Vergara
,
Joaquín Rizza
,
Pablo Ernesto Riera
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters.
Comput. Music. J.
46 (1-2) (2022)
Rodrigo F. Cádiz
,
Federico Schumacher
Editors' Notes.
Comput. Music. J.
46 (1-2) (2022)
Guillermo Eisner
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico.
Comput. Music. J.
46 (1-2) (2022)
Felipe de Almeida Ribeiro
,
Ricardo de Oliveira Thomasi
Mapping Out the Origins of Electroacoustic Music Studios in Brazil.
Comput. Music. J.
46 (1-2) (2022)
Flo Menezes
The Studio PANaroma and Electroacoustic Music in Brazil.
Comput. Music. J.
46 (1-2) (2022)
André Rabello-Mestre
,
Felipe Otondo
Listening to the Anthropocene: A Queda do Céu.
Comput. Music. J.
46 (1-2) (2022)
volume 46, number 3, 2022
Mattias Sköld
Computer-Aided Composition Using a Sound-Based Notation.
Comput. Music. J.
46 (3) (2022)
Mickaël Zehren
,
Marco Alunno
,
Paolo Bientinesi
Automatic Detection of Cue Points for the Emulation of DJ Mixing.
Comput. Music. J.
46 (3) (2022)
John Sullivan
,
Marcelo M. Wanderley
,
Catherine Guastavino
From Fiction to Function: Imagining New Instruments through Design Workshops.
Comput. Music. J.
46 (3) (2022)
Ross Feller
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman.
Comput. Music. J.
46 (3) (2022)
Ross Feller
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings.
Comput. Music. J.
46 (3) (2022)
Lauren McCall
,
Jason Freeman
,
Tom McKlin
,
Taneisha Lee
,
Michael Horn
,
Brian Magerko
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music.
Comput. Music. J.
46 (3) (2022)
Douglas Keislar
About This Issue.
Comput. Music. J.
46 (3) (2022)
volume 45, number 1, 2021
Dario Sanfilippo
Complex Adaptation in Audio Feedback Networks for the Synthesis of Music and Sounds.
Comput. Music. J.
45 (1) (2021)
Ezra J. Teboul
You Nakai: Reminded by the Instruments.
Comput. Music. J.
45 (1) (2021)
Dario Sanfilippo
Time-Domain Adaptive Algorithms for Low- and High-Level Audio Information Processing.
Comput. Music. J.
45 (1) (2021)
Umberto Roncoroni
Electronic Music and Generative Remixing: Improving L-Systems Aesthetics and Algorithms.
Comput. Music. J.
45 (1) (2021)
Ross Feller
Ingrid Laubrock: Dreamt Twice, Twice Dreamt.
Comput. Music. J.
45 (1) (2021)
Federico Schumacher
,
Vicente Espinoza
,
Francisca Mardones
,
Rodrigo Vergara
,
Alberto Aránguiz
,
Valentina Aguilera
Perceptual Recognition of Sound Trajectories in Space.
Comput. Music. J.
45 (1) (2021)
Seth Rozanoff
Mauri Edo: The Present Time.
Comput. Music. J.
45 (1) (2021)
volume 45, number 2, 2021
Bradley S. Green
James Dashow: Archimedes - A Planetarium Opera.
Comput. Music. J.
45 (2) (2021)
Emilio L. Rojas
,
Rodrigo F. Cádiz
A Physically Inspired Implementation of Xenakis's Stochastic Synthesis: Diffusion Dynamic Stochastic Synthesis.
Comput. Music. J.
45 (2) (2021)
Victor Lazzarini
,
Joseph Timoney
Linear and Nonlinear Digital Filters: From the Analog and Beyond.
Comput. Music. J.
45 (2) (2021)
Ralph Lewis
Celebrating Electronics: Music by John Bischoff (Concert) and John Bischoff: Bitplicity (Album).
Comput. Music. J.
45 (2) (2021)
Pierre Alexandre Tremblay
,
Gerard Roma
,
Owen Green
Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit.
Comput. Music. J.
45 (2) (2021)
Daniele Pozzi
Agostino Di Scipio and Dario Sanfilippo: Machine Milieu.
Comput. Music. J.
45 (2) (2021)
Dominik Schlienger
,
Victor Khashchanskiy
Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System.
Comput. Music. J.
45 (2) (2021)
volume 45, number 3, 2021
Douglas Keislar
About This Issue.
Comput. Music. J.
45 (3) (2021)
Giacomo Lepri
,
Andrew P. McPherson
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology.
Comput. Music. J.
45 (3) (2021)
Doga Cavdir
,
Ge Wang
Borrowed Gestures: The Body as an Extension of the Musical Instrument.
Comput. Music. J.
45 (3) (2021)
Mark Zaki
Fundamental Sound: A Conversation with Hubert Howe.
Comput. Music. J.
45 (3) (2021)
Seth Rozanoff
Leo Magnien: Clarières.
Comput. Music. J.
45 (3) (2021)
D. J. Malinowski
Cube Fest 2022.
Comput. Music. J.
45 (3) (2021)
Curtis Roads
,
Jack Kilgore
,
Rodney DuPlessis
Architecture for Real-Time Granular Synthesis With Per-Grain Processing: EmissionControl2.
Comput. Music. J.
45 (3) (2021)
volume 45, number 4, 2021
Seth Rozanoff
SONDA Festival 2022.
Comput. Music. J.
45 (4) (2021)
Carmine-Emanuele Cella
,
Daniele Ghisi
,
Yan Maresz
,
Alessandro Petrolati
,
Alexandre Teiller
,
Philippe Esling
Dynamic Computer-Aided Orchestration in Practice with Orchidea.
Comput. Music. J.
45 (4) (2021)
Roger B. Dannenberg
Communication for Real-Time Music Systems: An Overview of O2.
Comput. Music. J.
45 (4) (2021)
Daniele Ghisi
,
Carmine-Emanuele Cella
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration.
Comput. Music. J.
45 (4) (2021)
Sérgio Freire
,
Augusto Armondes
,
Rubens Silva
Real-Time Symbolic Transcription and Interactive Transformation Using a Hexaphonic Nylon-String Guitar.
Comput. Music. J.
45 (4) (2021)
Ross Feller
Barry Schrader: Lost Analog.
Comput. Music. J.
45 (4) (2021)
Douglas Keislar
About This Issue.
Comput. Music. J.
45 (4) (2021)
volume 44, number 2-3, 2021
Patricia Cadavid Hinojosa
Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface.
Comput. Music. J.
44 (2-3) (2021)
Arian Bagheri Pour Fallah
Annette Vande Gorne: Illusion.
Comput. Music. J.
44 (2-3) (2021)