Marcelo M. Wanderley

ORCID

Publication Activity (10 Years)

Years Active: 1998-2023
Publications (10 Years): 71

Top Venues

Publications

Erivan Gonçalves Duarte, Isabelle Cossette, Marcelo M. Wanderley
Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. Frontiers Comput. Sci. 5 (2023)
Brady Boettcher, Joseph W. Malloch, Johnty Wang, Marcelo M. Wanderley
Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. NIME (2022)
Linnea Kirby, Paul Buser, Marcelo M. Wanderley
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. NIME (2022)
Brady Boettcher, John Sullivan, Marcelo M. Wanderley
Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. NIME (2022)
Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. NIME (2022)
Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. NIME (2022)
John Sullivan, Marcelo M. Wanderley, Catherine Guastavino
From Fiction to Function: Imagining New Instruments through Design Workshops. Comput. Music. J. 46 (3) (2022)
Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley
The T-Stick Music Creation Project: An approach to building a creative community around a DMI. NIME (2021)
Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley
A Visualization Tool to Explore Interactive Sound Installations. NIME (2021)
Leandro Lesqueves Costalonga, Daniel Hora, Marcelo Soares Pimenta, Marcelo M. Wanderley
The Ragpicking DMI Design: The Case for Green Computer Music. ARTECH (2021)
Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino
Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact. 5 (4) (2021)
Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph W. Malloch, Vincent Cusson, Marcelo M. Wanderley
Documentation and Replicability in the NIME Community. NIME (2021)
Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley
Projeto: Cerrado: Unfolding Spaces. ARTECH (2021)
P. J. Charles Reimer, Marcelo M. Wanderley
Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. NIME (2021)
Juliette Regimbal, Marcelo M. Wanderley
Interpolating Audio and Haptic Control Spaces. NIME (2021)
Matthew D. Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley
Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. NIME (2021)
Christian Frisson, Mathias Bredholt, Joseph W. Malloch, Marcelo M. Wanderley
MapLooper: Live-looping of distributed gesture-to-sound mappings. NIME (2021)
Geise Santos, Johnty Wang, Carolina Brum Medeiros, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha
Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. NIME (2021)
Geise Santos, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha
A multi-sensor human gait dataset captured through an optical system and inertial measurement units. CoRR (2021)
Benjamin Lavastre, Marcelo M. Wanderley
Interaction Strategies in Composition for Karlax and Acoustic Instruments. CMMR (2021)
Travis J. West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley
Making Mappings: Design Criteria for Live Performance. NIME (2021)
Luca Turchet, Travis J. West, Marcelo M. Wanderley
Touching the audience: musical haptic wearables for augmented and participatory live music performances. Pers. Ubiquitous Comput. 25 (4) (2021)
Marcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson
The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly Conference (2021)
Marcelo M. Wanderley, Mathias Bredholt, Christian Frisson
A Visualization Tool for the CIRMMT Distinguished Lecture Series. HCI (4) (2020)
Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo Meneses, Marcelo M. Wanderley
Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments. HCI (41) (2020)
Travis J. West, Marcelo M. Wanderley, Baptiste Caramiaux
Making Mappings: Examining the Design Process. NIME (2020)
Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo M. Wanderley
TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. NIME (2020)
Eduardo A. L. Meneses, Takuto Fukuda, Marcelo M. Wanderley
Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments. HCI (5) (2020)
Mathias Kirkegaard, Mathias Bredholt, Marcelo M. Wanderley
An Intermediate Mapping Layer for Interactive Sequencing. HCI (5) (2020)
John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M. Wanderley
Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. NIME (2020)
Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley
Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. J. Multimodal User Interfaces 14 (3) (2020)
Filipe Calegario, Marcelo M. Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs
Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. NIME (2020)
Thomas Pietrzak, Marcelo M. Wanderley
Haptic and audio interaction design. J. Multimodal User Interfaces 14 (3) (2020)
Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME (2020)
Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley
Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors 20 (19) (2020)
Johnty Wang, Eduardo Meneses, Marcelo M. Wanderley
The Scalability of WiFi for Mobile Embedded Sensor Interfaces. NIME (2020)
Nicola Orio, Norbert Schnell, Marcelo M. Wanderley
Input Devices for Musical Expression: Borrowing Tools from HCI. CoRR (2020)
Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley, Caroline Palmer
Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action. Cogn. Sci. 43 (8) (2019)
Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, Marcelo M. Wanderley
Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge. NIME (2019)
Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley
The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score. HCI (5) (2019)
Johnty Wang, Axel Mulder, Marcelo M. Wanderley
Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. NIME (2019)
Luca Turchet, Travis J. West, Marcelo M. Wanderley
Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance. Audio Mostly Conference (2019)
Vanessa Yaremchuk, Carolina Brum Medeiros, Marcelo M. Wanderley
Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). NIME (2019)
Eduardo Meneses, Johnty Wang, Sérgio Freire, Marcelo M. Wanderley
A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. NIME (2019)
Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley
Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multim. 25 (1) (2018)
John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M. Wanderley
Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. MOCO (2018)
Deborah C. Egloff, Marcelo M. Wanderley, Ilja Frissen
Haptic display of melodic intervals for musical applications. HAPTICS (2018)
Eduardo Meneses, Sérgio Freire, Marcelo M. Wanderley
GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars. NIME (2018)
Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley
NIME Identity from the Performer’s Perspective. NIME (2018)
Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot
ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments. VL/HCC (2018)
Catherine Massie-Laberge, Marcelo M. Wanderley, Isabelle Cossette
Kinetic Analysis of Hip Motion During Piano Playing. MOCO (2018)
Joseph W. Malloch, Marlon Schumacher, Stephen Sinclair, Marcelo M. Wanderley
The Digital Orchestra Toolbox for Max. NIME (2018)
Alex Nieva, Johnty Wang, Joseph W. Malloch, Marcelo M. Wanderley
The T-Stick: Maintaining a 12 year-old Digital Musical Instrument. NIME (2018)
Ian Hattwick, Marcelo M. Wanderley
Design of hardware systems for professional artistic applications. NIME (2017)
Ian Hattwick, Ivan Franco, Marcelo M. Wanderley
The Vibropixels: A Scalable Wireless Tactile Display System. HCI (3) (2017)
Esteban Maestre, Panagiotis Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Pérez, Marcelo M. Wanderley
Enriched Multimodal Representations of Music Performances: Online Access and Visualization. IEEE Multim. 24 (1) (2017)
Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot
Exploring playfulness in nime design: the case of live looping tools. NIME (2017)
Baptiste Caramiaux, Frédéric Bevilacqua, Caroline Palmer, Marcelo M. Wanderley
Individuality in Piano Performance Depends on Skill Learning. MOCO (2017)
Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, Geber L. Ramalho
A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multim. 24 (1) (2017)
Lei Chen, Sylvie Gibet, Pierre-François Marteau, Fabrice Marandola, Marcelo M. Wanderley
Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher. MOCO (2016)
Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph W. Malloch, Jérémie Garcia, Andrew Johnston
Music and HCI. CHI Extended Abstracts (2016)
Ivan Franco, Marcelo M. Wanderley
Prynth: A Framework for Self-contained Digital Music Instruments. CMMR (2016)
Alfonso Pérez Carrillo, Marcelo M. Wanderley
Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE ACM Trans. Audio Speech Lang. Process. 23 (5) (2015)
Jerônimo Barbosa, Joseph W. Malloch, Marcelo M. Wanderley, Stéphane Huot
What does 'evaluation' mean for the nime community? NIME (2015)
Ian Hattwick, Marcelo M. Wanderley
Interactive lighting in the pearl: considerations and implementation. NIME (2015)
Mickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro, Marcelo M. Wanderley
Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures. ICMC (2015)
Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley
Distributed tools for interactive design of heterogeneous signal networks. Multim. Tools Appl. 74 (15) (2015)
Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo M. Wanderley, Valérie Lamontagne, Ian A. Arawjo, Christopher L. Salter, Maurizio Martinucci
Composition Techniques for the Ilinx Vibrotactile Garment. ICMC (2015)
Ivan Franco, Marcelo M. Wanderley
Pratical evaluation of synthesis performance on the beaglebone black. NIME (2015)
Alfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley
Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. CMMR (2015)
Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber L. Ramalho, Marcelo M. Wanderley
Designing dmis for popular music in the brazilian northeast: lessons learned. NIME (2015)
Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward
Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. IEEE Trans. Haptics 7 (4) (2014)
Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil
In-House Development of Paper Force Sensors for Musical Applications. Comput. Music. J. 38 (2) (2014)
Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. ICMC (2014)
Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle
Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. Comput. Music. J. 38 (3) (2014)
Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, Fabrice Marandola
Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. NIME (2014)
Carolina Brum Medeiros, Marcelo M. Wanderley
A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression. Sensors 14 (8) (2014)
Clayton Mamedes, Mailis G. Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira-Lopes
Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio. NIME (2014)
Vanessa Yaremchuk, Marcelo M. Wanderley
Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. MOCO (2014)
Thor Kell, Marcelo M. Wanderley
A High-Level Review of Mappings in Musical iOS Applications. ICMC (2014)
Ian Hattwick, Joseph W. Malloch, Marcelo M. Wanderley
Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. NIME (2014)
Rodrigo A. Seger, Marcelo M. Wanderley, Alessandro L. Koerich
Automatic detection of musicians' ancillary gestures based on video analysis. Expert Syst. Appl. 41 (4) (2014)
Marcelo M. Wanderley, Joseph W. Malloch
Editors' Notes. Comput. Music. J. 38 (3) (2014)
Benjamin Bacon, Marcelo M. Wanderley, Fabrice Marandola
Handedness in Percussion Sight-Reading. MOCO (2014)
Joseph Thibodeau, Marcelo M. Wanderley
Trumpet Augmentation and Technological Symbiosis. Comput. Music. J. 37 (3) (2013)
Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley
Vibrotactile Feedback for an Open Air Music Controller. CMMR (2013)
Marcello Giordano, Marcelo M. Wanderley
Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. HAID (2013)
Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley
Alternatives in Network transport Protocols for audio Streaming Applications. ICMC (2013)
Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley
Libmapper: (a library for connecting things). CHI Extended Abstracts (2013)
Mailis G. Rodrigues, Marcelo M. Wanderley, Paulo Ferreira-Lopes
Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. CMMR (2013)
Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley
Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion. Vis. Comput. 28 (4) (2012)
Avrum Hollinger, Marcelo M. Wanderley
Optoelectronic Acquisition and Control Board for Musical Applications. NIME (2012)
Alfonso Pérez Carrillo, Marcelo M. Wanderley
Learning and extraction of violin instrumental controls from audio signal. MIRUM (2012)
Olivier Tache, Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley
Exploring audio and tactile qualities of instrumentality with bowed string simulations. NIME (2012)
Ian Hattwick, Marcelo M. Wanderley
A Dimension Space for Evaluating Collaborative Musical Performance Systems. NIME (2012)
Gabriel Vigliensoni, Marcelo M. Wanderley
A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. NIME (2012)
Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley
Bowing a vibration-enhanced force feedback device. NIME (2012)
Mark T. Marshall, Marcelo M. Wanderley
Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. NIME (2011)
Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Comput. Music. J. 35 (3) (2011)
Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward, Gary P. Scavone
Noise-free haptic interaction with a bowed-string acoustic model. World Haptics (2011)

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Publication Activity (10 Years)

Top Topics

Top Venues

Marcelo M. Wanderley