Andrew P. McPherson

Publication Activity (10 Years)

Years Active: 2010-2024
Publications (10 Years): 67

Top Topics

Subjective Quality

Musical Instrument

Human Knowledge

Top Venues

Conference on Designing Interactive Systems

Publications

Courtney N. Reed, Landon Morrison, Andrew P. McPherson, David Fierro, Atau Tanaka
Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations. Conference on Designing Interactive Systems (2024)
Landon Morrison, Andrew P. McPherson
Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions. CHI (2024)
Nicole Robson, Andrew P. McPherson, Nick Bryan-Kinns
Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation. CHI (2024)
Teresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew P. McPherson
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform. CoRR (2023)
Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. ISMIR (2023)
Ben Hayes, Jordie Shier, György Fazekas, Andrew P. McPherson, Charalampos Saitis
A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis. CoRR (2023)
Franco Caspe, Andrew P. McPherson, Mark B. Sandler
FM Tone Transfer with Envelope Learning. Audio Mostly Conference (2023)
Courtney N. Reed, Paul Strohmeier, Andrew P. McPherson
Negotiating Experience and Communicating Information Through Abstract Metaphor. CHI (2023)
Charlotte Nordmoen, Andrew P. McPherson
What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood Carving. Conference on Designing Interactive Systems (2023)
Franco Caspe, Andrew P. McPherson, Mark Sandler
FM Tone Transfer with Envelope Learning. CoRR (2023)
Jordie Shier, Franco Caspe, Andrew Robertson, Mark Sandler, Charalampos Saitis, Andrew P. McPherson
Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis. CoRR (2023)
Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. CoRR (2023)
Courtney N. Reed, Andrew P. McPherson
The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback. TEI (2023)
Courtney N. Reed, Sophie Skach, Paul Strohmeier, Andrew P. McPherson
Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances. AHs (2022)
Jianing Zheng, Nick Bryan-Kinns, Andrew P. McPherson
Material Matters: Exploring Materiality in Digital Musical Instruments Design. Conference on Designing Interactive Systems (2022)
Lia Mice, Andrew P. McPherson
Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design. CHI (2022)
Charlotte Nordmoen, Andrew P. McPherson
Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system. Conference on Designing Interactive Systems (2022)
Jonathan Pigrem, Andrew P. McPherson, Nick Bryan-Kinns, Robert H. Jack
Sound -> Object -> Gesture: Physical Affordances of Virtual Materials. Audio Mostly Conference (2022)
Courtney N. Reed, Andrew P. McPherson
Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. TEI (2021)
Giulio Moro, Andrew P. McPherson
Performer Experience on a Continuous Keyboard Instrument. Comput. Music. J. 44 (2-3) (2021)
Giacomo Lepri, Andrew P. McPherson
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology. Comput. Music. J. 45 (3) (2021)
Juan Pablo Martinez-Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew P. McPherson, Steve Benford
Soma Design for NIME. NIME (2020)
Lia Mice, Andrew P. McPherson
From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs. NIME (2020)
Andrew P. McPherson, Giacomo Lepri
Beholden to our tools: negotiating with technology while sketching digital instruments. NIME (2020)
Giulio Moro, Andrew P. McPherson
A platform for low-latency continuous keyboard sensing and sound generation. NIME (2020)
Giacomo Lepri, Andrew P. McPherson, John Bowers
Useless, not Worthless: Absurd Making as Critical Practice. Conference on Designing Interactive Systems (2020)
Robert H. Jack, Jacob Harrison, Andrew P. McPherson
Digital Musical Instruments as Research Products. NIME (2020)
Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. NIME (2020)
Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME (2020)
Andrea Guidi, Fabio Morreale, Andrew P. McPherson
Design for auditory imagery: altering instruments to explore performer fluency. NIME (2020)
Courtney N. Reed, Andrew P. McPherson
Surface Electromyography for Direct Vocal Control. NIME (2020)
Lia Mice, Andrew P. McPherson
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. CMMR (2019)
Jacob Harrison, Alan Chamberlain, Andrew P. McPherson
Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians. CHI Extended Abstracts (2019)
Jack Armitage, Andrew P. McPherson
Bricolage in a hybrid digital lutherie context: a workshop study. Audio Mostly Conference (2019)
Giacomo Lepri, Andrew P. McPherson
Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice. Conference on Designing Interactive Systems (2019)
Charlotte Nordmoen, Jack Armitage, Fabio Morreale, Rebecca Stewart, Andrew P. McPherson
Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material. Conference on Designing Interactive Systems (2019)
Giacomo Lepri, Andrew P. McPherson
Fictional instruments, real values: discovering musical backgrounds with non-functional prototypes. NIME (2019)
Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Steve Benford, Anne Veinberg, Zubin Kanga, Andrew P. McPherson
Failing with Style: Designing for Aesthetic Failure in Interactive Performance. CHI (2019)
Laurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, Michael Edinger
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. NIME (2019)
Fabio Morreale, Andrea Guidi, Andrew P. McPherson
Magpick: an Augmented Guitar Pick for Nuanced Control. NIME (2019)
Csaba Sulyok, Andrew P. McPherson, Christopher Harte
Evolving the process of a virtual composer. Nat. Comput. 18 (1) (2019)
Jacob Harrison, Robert H. Jack, Fabio Morreale, Andrew P. McPherson
When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. NIME (2018)
Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley
NIME Identity from the Performer’s Perspective. NIME (2018)
Jon Pigrem, Andrew P. McPherson
Do We Speak Sensor? Cultural Constraints of Embodied Interaction . NIME (2018)
S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson
Risky business: Disfluency as a design strategy. NIME (2018)
Jack Armitage, Andrew P. McPherson
Crafting Digital Musical Instruments: An Exploratory Workshop Study. NIME (2018)
Luca Turchet, Andrew P. McPherson, Mathieu Barthet
Real-Time Hit Classification in a Smart Cajón. Frontiers ICT 5 (2018)
Robert H. Jack, Jacob Harrison, Fabio Morreale, Andrew P. McPherson
Democratising DMIs: the relationship of expertise and control intimacy. NIME (2018)
Giacomo Lepri, Andrew P. McPherson
Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technology. NIME (2018)
Victor Zappi, Andrew P. McPherson
Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction. Frontiers ICT 5 (2018)
Fabio Morreale, Raul Masu, Andrew P. McPherson
Constraining Control in Mixed-Initiative Musical Interfaces. MICI@CHI (2017)
Fabio Morreale, Andrew P. McPherson
Design for longevity: ongoing use of instruments from nime 2010-14. NIME (2017)
S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson
In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. INTERACT (1) (2017)
Beici Liang, György Fazekas, Andrew P. McPherson, Mark B. Sandler
Piano pedaller: a measurement system for classification and visualisation of piano pedalling techniques. NIME (2017)
Robert H. Jack, Tony Stockman, Andrew P. McPherson
Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments. Tangible and Embedded Interaction (2017)
Jacob Harrison, Andrew P. McPherson
An adapted bass guitar for one-handed playing. NIME (2017)
Robert H. Jack, Tony Stockman, Andrew P. McPherson
Rich gesture, reduced control: the influence of constrained mappings on performance technique. MOCO (2017)
Fabio Morreale, Giulio Moro, Alan Chamberlain, Steve Benford, Andrew P. McPherson
Building a Maker Community Around an Open Hardware Platform. CHI (2017)
Jack Armitage, Fabio Morreale, Andrew P. McPherson
The finer the musician, the smaller the details: nimecraft under the microscope. NIME (2017)
S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson
Hands where we can see them! Investigating the impact of gesture size on audience perception. ICMC (2017)
S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. NIME (2016)
Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph W. Malloch, Jérémie Garcia, Andrew Johnston
Music and HCI. CHI Extended Abstracts (2016)
Andrew P. McPherson, Robert H. Jack, Giulio Moro
Action-Sound Latency: Are Our Tools Fast Enough? NIME (2016)
Christian Heinrichs, Andrew P. McPherson
Performance-Led Design of Computationally Generated Audio for Interactive Applications. Tangible and Embedded Interaction (2016)
Robert H. Jack, Tony Stockman, Andrew P. McPherson
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. Audio Mostly Conference (2016)
Robert H. Jack, Tony Stockman, Andrew P. McPherson
Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. Tangible and Embedded Interaction (2016)
Andrew P. McPherson, Alan Chamberlain, Adrian Hazzard, Sean McGrath, Steve Benford
Designing for Exploratory Play with a Hackable Digital Musical Instrument. Conference on Designing Interactive Systems (2016)
Csaba Sulyok, Andrew P. McPherson, Christopher Harte
Corpus-taught Evolutionary Music Composition. ECAL (2015)
Andrew P. McPherson
Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments. Comput. Music. J. 39 (2) (2015)
Duncan Menzies, Andrew P. McPherson
Highland piping ornament recognition using dynamic time warping. NIME (2015)
Andrew P. McPherson, Victor Zappi
Exposing the scaffolding of digital instruments with hardware-software feedback loops. NIME (2015)
Janis Sokolovskis, Andrew P. McPherson
Optical Measurement of Acoustic Drum Strike Locations. NIME (2014)
Laurel Pardue, Dongjuan Nian, Christopher Harte, Andrew P. McPherson
Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach. NIME (2014)
Liam Donovan, Andrew P. McPherson
The Talking Guitar: Headstock Tracking and Mapping Strategies. NIME (2014)
Christian Heinrichs, Andrew P. McPherson
Mapping and interaction strategies for performing environmental sound. SIVE@VR (2014)
Victor Zappi, Andrew P. McPherson
Dimensionality and Appropriation in Digital Musical Instrument Design. NIME (2014)
Daniel Gábana Arellano, Andrew P. McPherson
Radear: A Tangible Spinning Music Sequencer. NIME (2014)
Laurel Pardue, Andrew P. McPherson
Near-Field Optical Reflective Sensing for Bow Tracking. NIME (2013)
Andrew P. McPherson, Adrian Gierakowski, Adam M. Stark
The space between the notes: adding expressive pitch control to the piano keyboard. CHI (2013)
Andrew P. McPherson
Portable Measurement and Mapping of Continuous Piano Gesture. NIME (2013)
Andrew P. McPherson, Youngmoo E. Kim
The Problem of the Second Performer: Building a Community Around an Augmented Piano. Comput. Music. J. 36 (4) (2012)
Andrew P. McPherson
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard. NIME (2012)
Andrew P. McPherson
Techniques and Circuits for Electromagnetic Instrument Actuation. NIME (2012)
Duncan Menzies, Andrew P. McPherson
An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation. NIME (2012)
Christian Heinrichs, Andrew P. McPherson
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. ISMAR (2012)
N. Cameron Britt, Jeff Snyder, Andrew P. McPherson
The EMvibe: An Electromagnetically Actuated Vibraphone. NIME (2012)
Jeff Snyder, Andrew P. McPherson
The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers. NIME (2012)
Andrew P. McPherson, Youngmoo E. Kim
Multidimensional gesture sensing at the piano keyboard. CHI (2011)
Andrew P. McPherson, Youngmoo E. Kim
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. NIME (2010)
Andrew P. McPherson, Youngmoo E. Kim
Toward a computationally-enhanced acoustic grand piano. CHI Extended Abstracts (2010)