Mathieu Barthet

Publication Activity (10 Years)

Years Active: 2005-2024
Publications (10 Years): 63

Top Topics

User Requirements

Virtual Reality

Musical Instruments

Top Venues

Audio Mostly Conference

Publications

Pedro Sarmento, Jackson Loth, Mathieu Barthet
Between the AI and Me: Analysing Listeners' Perspectives on AI- and Human-Composed Progressive Metal Music. CoRR (2024)
Wenqian Cui, Pedro Sarmento, Mathieu Barthet
MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular Features. EvoMUSART (2024)
Wenqian Cui, Pedro Sarmento, Mathieu Barthet
MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-Granular Features. CoRR (2024)
Simin Yang, Mathieu Barthet, Courtney N. Reed, Elaine Chew
Do You Hear What I Hear? Computer 56 (12) (2023)
Jackson Loth, Pedro Sarmento, CJ Carr, Zack Zukowski, Mathieu Barthet
ProgGP: From GuitarPro Tablature Neural Generation To Progressive Metal Production. CoRR (2023)
Pedro Sarmento, Adarsh Kumar, Dekun Xie, CJ Carr, Zack Zukowski, Mathieu Barthet
ShredGP: Guitarist Style-Conditioned Tablature Generation. CoRR (2023)
Pedro Sarmento, Adarsh Kumar, Yu-Hua Chen, CJ Carr, Zack Zukowski, Mathieu Barthet
GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. CoRR (2023)
Yann Frachi, Guillaume Chanel, Mathieu Barthet
Affective gaming using adaptive speed controlled by biofeedback. ICMI Companion (2023)
Sara Adkins, Pedro Sarmento, Mathieu Barthet
LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature. EvoMUSART@EvoStar (2023)
Pedro Sarmento, Adarsh Kumar, Yu-Hua Chen, C. J. Carr, Zack Zukowski, Mathieu Barthet
GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. EvoMUSART@EvoStar (2023)
Tyler Howard McIntosh, Orlando Woscholski, Mathieu Barthet
Affective Conditional Modifiers in Adaptive Video Game Music. Audio Mostly Conference (2023)
Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. ISMIR (2023)
Lily E. Montague, Mathieu Barthet
Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers. Creativity & Cognition (2023)
Miguel Ceriani, Fabio Viola, Sasa Rudan, Francesco Antoniazzi, Mathieu Barthet, György Fazekas
Semantic integration of audio content providers through the Audio Commons Ontology. J. Web Semant. 77 (2023)
Thomas Deacon, Mathieu Barthet
Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching. Audio Mostly Conference (2023)
Sebastian Löbbers, Mathieu Barthet, György Fazekas
AI as mediator between composers, sound designers, and creative media producers. CoRR (2023)
Max Graf, Mathieu Barthet
Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments. CoRR (2023)
Sara Adkins, Pedro Sarmento, Mathieu Barthet
LooperGP: A Loopable Sequence Model for Live Coding Performance using GuitarPro Tablature. CoRR (2023)
Simin Yang, Courtney N. Reed, Elaine Chew, Mathieu Barthet
Examining Emotion Perception Agreement in Live Music Performance. IEEE Trans. Affect. Comput. 14 (2) (2023)
Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. CoRR (2023)
Thomas Deacon, Patrick Healey, Mathieu Barthet
"It's cleaner, definitely": Collaborative Process in Audio Production. Comput. Support. Cooperative Work. 32 (3) (2023)
Giovanni Bindi, Nils Demerlé, Rodrigo Diaz, David Genova, Aliénor Golvet, Ben Hayes, Jiawen Huang, Lele Liu, Vincent Martos, Sarah Nabi, Teresa Pelinski, Lenny Renault, Saurjya Sarkar, Pedro Sarmento, Cyrus Vahidi, Lewis Wolstanholme, Yixiao Zhang, Axel Roebel, Nick Bryan-Kinns, Jean-Louis Giavitto, Mathieu Barthet
AI (r)evolution - where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning. CoRR (2023)
Max Graf, Mathieu Barthet
Reducing Sensing Errors in a Mixed Reality Musical Instrument. VRST (2023)
Takuya Takahashi, Mathieu Barthet
Emotion-driven Harmonisation And Tempo Arrangement of Melodies Using Transfer Learning. ISMIR (2022)
Yann Frachi, Takuya Takahashi, Feiqi Wang, Mathieu Barthet
Design of Emotion-Driven Game Interaction Using Biosignals. HCI (33) (2022)
Max Graf, Mathieu Barthet
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. NIME (2022)
Sebastian Löbbers, Mathieu Barthet, György Fazekas
Sketching sounds: an exploratory study on sound-shape associations. CoRR (2021)
Andrea Martelloni, Andrew McPherson, Mathieu Barthet
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. NIME (2021)
Pedro Sarmento, Adarsh Kumar, C. J. Carr, Zack Zukowski, Mathieu Barthet, Yi-Hsuan Yang
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models. CoRR (2021)
Pedro Sarmento, Adarsh Kumar, C. J. Carr, Zack Zukowski, Mathieu Barthet, Yi-Hsuan Yang
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models. ISMIR (2021)
Max Graf, Harold Chijioke Opara, Mathieu Barthet
An Audio-Driven System For Real-Time Music Visualisation. CoRR (2021)
Pedro Sarmento, Ove Holmqvist, Mathieu Barthet
Musical Smart City: Perspectives on Ubiquitous Sonification. CoRR (2020)
Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. NIME (2020)
Fred Bruford, Mathieu Barthet, SKoT McDonald, Mark B. Sandler
Groove Explorer: An Intelligent Visual Interface for Drum Loop Library Navigation. IUI Workshops (2019)
Gary Bromham, David Moffat, Mathieu Barthet, Anne Danielsen, György Fazekas
The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. Audio Mostly Conference (2019)
Luca Turchet, Mathieu Barthet
Haptification of performer's control gestures in live electronic music performance. Audio Mostly Conference (2019)
Luca Turchet, Mathieu Barthet
Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication. IEEE Trans. Hum. Mach. Syst. 49 (2) (2019)
Fred Bruford, Mathieu Barthet, SKoT McDonald, Mark B. Sandler
Modelling Musical Similarity for Drum Patterns: A Perceptual Evaluation. Audio Mostly Conference (2019)
Thomas Deacon, Nick Bryan-Kinns, Patrick G. T. Healey, Mathieu Barthet
Shaping Sounds: The Role of Gesture in Collaborative Spatial Music Composition. Creativity & Cognition (2019)
Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, György Fazekas
Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases. NIME (2018)
Luca Turchet, Mathieu Barthet
Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables. NIME (2018)
Luca Turchet, Carlo Fischione, Georg Essl, Damián Keller, Mathieu Barthet
Internet of Musical Things: Vision and Challenges. IEEE Access 6 (2018)
Anna Weisling, Anna Xambó, Ireti Olowe, Mathieu Barthet
Surveying the Compositional and Performance Practices of Audiovisual Practitioners. NIME (2018)
Anna Xambó, Johan Pauwels, Gerard Roma, Mathieu Barthet, György Fazekas
Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective. Audio Mostly Conference (2018)
Sophie Skach, Anna Xambó, Luca Turchet, Ariane Stolfi, Rebecca Stewart, Mathieu Barthet
Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. Tangible and Embedded Interaction (2018)
Luca Turchet, Fabio Viola, György Fazekas, Mathieu Barthet
Towards a Semantic Architecture for the Internet of Musical Things. FRUCT (2018)
Luca Turchet, Andrew P. McPherson, Mathieu Barthet
Real-Time Hit Classification in a Smart Cajón. Frontiers ICT 5 (2018)
Luca Turchet, Mathieu Barthet
Jamming with a Smart Mandolin and Freesound-based Accompaniment. FRUCT (2018)
Ariane de Souza Stolfi, Miguel Ceriani, Luca Turchet, Mathieu Barthet
Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. NIME (2018)
Fabio Viola, Ariane Stolfi, Alessia Milo, Miguel Ceriani, Mathieu Barthet, György Fazekas
Playsound.space: enhancing a live music performance tool with semantic recommendations. SAAM@ISWC (2018)
Ariane Stolfi, Mathieu Barthet, Fábio Goródscy, Antonio Deusany de Carvalho Junior
Open Band: A Platform for Collective Sound Dialogues. Audio Mostly Conference (2017)
Anand Subramaniam, Mathieu Barthet
Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal. Audio Mostly Conference (2017)
Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns, Mathieu Barthet
Open Symphony: Creative Participation for Audiences of Live Music Performances. IEEE Multim. 24 (1) (2017)
Ireti Olowe, Mathieu Barthet, Mick Grierson
FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio. Audio Mostly Conference (2017)
Callum Goddard, Mathieu Barthet, Geraint A. Wiggins
Designing Computationally Creative Musical Performance Systems. Audio Mostly Conference (2017)
Jon Pigrem, Mathieu Barthet
Datascaping: Data Sonification as a Narrative Device in Soundscape Composition. Audio Mostly Conference (2017)
Ireti Olowe, Mick Grierson, Mathieu Barthet
User Requirements for Live Sound Visualization System Using Multitrack Audio. Audio Mostly Conference (2017)
Dorien Herremans, Simin Yang, Ching-Hua Chuan, Mathieu Barthet, Elaine Chew
IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. Audio Mostly Conference (2017)
Kate Hayes, Mathieu Barthet, Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns
A Participatory Live Music Performance with the Open Symphony System. CHI Extended Abstracts (2016)
Leshao Zhang, Yongmeng Wu, Mathieu Barthet
A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. NIME (2016)
Ireti Olowe, Giulio Moro, Mathieu Barthet
residUUm: user mapping and performance strategies for multilayered live audiovisual generation. NIME (2016)
Thomas Deacon, Tony Stockman, Mathieu Barthet
User Experience in an Interactive Music Virtual Reality System: An Exploratory Study. CMMR (2016)
Pasi Saari, György Fazekas, Tuomas Eerola, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler
Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. IEEE Trans. Affect. Comput. 7 (2) (2016)
Mathieu Barthet, György Fazekas, Alo Allik, Mark B. Sandler
Moodplay: an interactive mood-based musical experience. Audio Mostly Conference (2015)
Tillman Weyde, Stephen Cottrell, Jason Dykes, Emmanouil Benetos, Daniel Wolff, Dan Tidhar, Alexander Kachkaev, Mark D. Plumbley, Simon Dixon, Mathieu Barthet, Nicolas Gold, Samer A. Abdallah, Aquiles Alancar-Brayner, Mahendra Mahey, Adam Tovell
Big Data for Musicology. DLfM@JCDL (2014)
Sefki Kolozali, György Fazekas, Mathieu Barthet, Mark B. Sandler
A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis. Semantic Audio (2014)
Ting Lou, Mathieu Barthet, György Fazekas, Mark B. Sandler
Evaluation and Improvement of the Mood Conductor Interactive System. Semantic Audio (2014)
Chris Baume, György Fazekas, Mathieu Barthet, David Marston, Mark B. Sandler
Selection of Audio Features for Music Emotion Recognition Using Production Music. Semantic Audio (2014)
György Fazekas, Mathieu Barthet, Mark B. Sandler
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. CMMR (2013)
Pasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler
The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection. ISMIR (2013)
György Fazekas, Mathieu Barthet, Mark B. Sandler
Mood Conductor: Emotion-Driven Interactive Music Performance. ACII (2013)
Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler
Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. IEEE Trans. Speech Audio Process. 21 (10) (2013)
Pasi Saari, Mathieu Barthet, György Fazekas, Tuomas Eerola, Mark B. Sandler
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. ICME Workshops (2013)
György Fazekas, Mathieu Barthet, Mark B. Sandler
Demo paper: The BBC Desktop Jukebox music recommendation system: A large scale trial with professional users. ICME Workshops (2013)
Mathieu Barthet, David Marston, Chris Baume, György Fazekas, Mark B. Sandler
Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags. ISMIR (2013)
Mathieu Barthet, György Fazekas, Mark B. Sandler
Music Emotion Recognition: From Content- to Context-Based Models. CMMR (2012)
Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler
Knowledge Representation Issues in Musical Instrument Ontology Design. ISMIR (2011)
Mathieu Barthet, Simon Dixon
Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. ISMIR (2011)
Mathieu Barthet, Steven Hargreaves, Mark B. Sandler
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. CMMR (2010)
Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler
Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments. SAMT (2010)
Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad
Improving Musical Expressiveness by Time-Varying Brightness Shaping. CMMR (2007)
Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad
The effect of Timbre in Clarinet Interpretation. ICMC (2007)
Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad
On the Relative Influence of even and odd harmonics in Clarinet Timbre. ICMC (2005)