Georg Essl

Publication Activity (10 Years)

Years Active: 1999-2023
Publications (10 Years): 20

Top Topics

Causal Ordering

Emotion Recognition

Signal Processing

Top Venues

Publications

Georg Essl
Combinatorial Hodge Theory in Simplicial Signal Processing - DAFx2023 Lecture Notes. CoRR (2023)
Georg Essl
Causal Linear Topological Filters Over A 2-Simplex. ICASSP (2022)
Georg Essl
Topology in Sound Synthesis and Digital Signal Processing - DAFx2022 Lecture Notes. CoRR (2022)
Georg Essl
Topologizing Sound Synthesis Via Sheaves. DAFx (2021)
Georg Essl
Topological IIR Filters Over Simplicial Topologies via Sheaves. IEEE Signal Process. Lett. 27 (2020)
Biqiao Zhang, Yuqing Kong, Georg Essl, Emily Mower Provost
f-Similarity Preservation Loss for Soft Labels: A Demonstration on Cross-Corpus Speech Emotion Recognition. AAAI (2019)
Biqiao Zhang, Emily Mower Provost, Georg Essl
Cross-Corpus Acoustic Emotion Recognition with Multi-Task Learning: Seeking Common Ground While Preserving Differences. IEEE Trans. Affect. Comput. 10 (1) (2019)
Georg Essl
Iterative Phase Functions on the Circle and Their Projections: Connecting Circle Maps, Waveshaping, and Phase Modulation. CMMR (2019)
Luca Turchet, Carlo Fischione, Georg Essl, Damián Keller, Mathieu Barthet
Internet of Musical Things: Vision and Challenges. IEEE Access 6 (2018)
Sang Won Lee, Jungho Bang, Georg Essl
Live Coding YouTube. CHI Extended Abstracts (2018)
Ammar Kalo, Georg Essl
Individual Fabrication of Cymbals using Incremental Robotic Sheet Forming. NIME (2018)
Sang Won Lee, Jungho Bang, Georg Essl
Live coding youtube: organizing streaming media for an audiovisual performance. NIME (2017)
Georg Essl, Sang Won Lee
Mobile Devices as Musical Instruments - State of the Art and Future Prospects. CMMR (2017)
Biqiao Zhang, Georg Essl, Emily Mower Provost
Predicting the distribution of emotion perception: capturing inter-rater variability. ICMI (2017)
Sang Won Lee, Georg Essl
Live Writing: Gloomy Streets. CHI Extended Abstracts (2017)
Sang Won Lee, Georg Essl, Mari Martinez
Live Writing : Writing as a Real-time Audiovisual Performance. NIME (2016)
Biqiao Zhang, Emily Mower Provost, Georg Essl
Cross-corpus acoustic emotion recognition from singing and speaking: A multi-task learning approach. ICASSP (2016)
Antonio Deusany de Carvalho Junior, Sang Won Lee, Georg Essl
Understanding Cloud Support for the Audience Participation Concert Performance of Crowd in C[loud]. NIME (2016)
Biqiao Zhang, Georg Essl, Emily Mower Provost
Automatic recognition of self-reported and perceived emotion: does joint modeling help? ICMI (2016)
Earlence Fernandes, Qi Alfred Chen, Justin Paupore, Georg Essl, J. Alex Halderman, Zhuoqing Morley Mao, Atul Prakash
Android UI Deception Revisited: Attacks and Defenses. Financial Cryptography (2016)
Biqiao Zhang, Emily Mower Provost, Robert Swedberg, Georg Essl
Predicting Emotion Perception Across Domains: A Study of Singing and Speaking. AAAI (2015)
Qi Yang, Georg Essl
Representation-plurality in multi-touch mobile visual programming for music. NIME (2015)
Antonio Deusany de Carvalho Junior, Marcelo Queiroz, Georg Essl
Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications. ICMC (2015)
Biqiao Zhang, Georg Essl, Emily Mower Provost
Recognizing emotion from singing and speaking using shared models. ACII (2015)
Sang Won Lee, Georg Essl
Web-based temporal typography for musical expression and performance. NIME (2015)
Alex Migicovsky, Jonah Scheinerman, Georg Essl
MoveOSC - Smart Watches in Mobile Music Performance. ICMC (2014)
Sang Won Lee, Georg Essl, Zhuoqing Morley Mao
Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET). NIME (2014)
Sang Won Lee, Georg Essl
Communication, Control, and State Sharing in Collaborative Live Coding. NIME (2014)
Qi Yang, Georg Essl
Evaluating Gesture-Augmented Keyboard Performance. Comput. Music. J. 38 (4) (2014)
Sven G. Kratz, Michael Rohs, Georg Essl
Combining acceleration and gyroscope data for motion gesture recognition using classifiers with dimensionality constraints. IUI (2013)
Qi Yang, Georg Essl
Visual Associations in Augmented Keyboard Performance. NIME (2013)
Sang Won Lee, Georg Essl
Live Coding The Mobile Music Instrument. NIME (2013)
Xin Fan, Georg Essl
Air Violin: A Body-centric Style Musical Instrument. NIME (2013)
Nate Derbinsky, Georg Essl
Exploring Reinforcement Learning for Mobile Percussive Collaboration. NIME (2012)
Qi Yang, Georg Essl
Augmented Piano Performance using a Depth Camera. NIME (2012)
Georg Essl
Playing with Time: manipulation of Time and rate in a Multi-rate signal Processing Pipeline. ICMC (2012)
Sven G. Kratz, Tilo Westermann, Michael Rohs, Georg Essl
CapWidgets: tangile widgets versus multi-touch controls on mobile devices. CHI Extended Abstracts (2011)
Jong Wook Kim, Georg Essl
Concepts and Practical Considerations of Platform-Independent Design of Mobile Music Environments. ICMC (2011)
Georg Essl
Automated Ad Hoc Networking for Mobile and Hybrid Music Performance. ICMC (2011)
Patrick O. Keefe, Georg Essl
The Visual in Mobile Music Performance. NIME (2011)
Nate Derbinsky, Georg Essl
Cognitive Architecture in Mobile Music Interactions. NIME (2011)
Georg Essl
Urmus - An Environment For Mobile Instrument Design And Performance. ICMC (2010)
Georg Essl, Alexander Müller
Designing Mobile Musical Instruments and Environments with urMus. NIME (2010)
Craig D. Stewart, Michael Rohs, Sven G. Kratz, Georg Essl
Characteristics of pressure-based input for mobile devices. CHI (2010)
Georg Essl
The Mobile Phone Ensemble As Classroom. ICMC (2010)
Georg Essl, Michael Rohs, Sven G. Kratz
Use the Force (or something) - Pressure and Pressure - Like Input for Mobile Music Performance. NIME (2010)
Georg Essl
Ursound - Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine. ICMC (2010)
Georg Essl
SpeedDial: Rapid and On-The-Fly Mapping of Mobile Phone Instruments. NIME (2009)
Alexander Müller, Georg Essl
Utilizing Tactile Feedback to Guide Movements Between Sounds. NIME (2009)
Nicholas Gillian, Sile O'Modhrain, Georg Essl
Scratch-Off: A Gesture Based Mobile Music Game with Tactile Feedback. NIME (2009)
Michael Rohs, Robert Schleicher, Johannes Schöning, Georg Essl, Anja Naumann, Antonio Krüger
Impact of item density on the utility of visual context in magic lens interactions. Pers. Ubiquitous Comput. 13 (8) (2009)
Ge Wang, Georg Essl, Jeff Smith, Spencer Salazar, Perry R. Cook, Rob Hamilton, Rebecca Fiebrink, Jonathan Berger, David Zhu, Mattias Ljungstrom, Arnaud Berry, Jennifer Wu, Turner Kirk, Elon Berger, Jillian Segal
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social. ICMC (2009)
Michael Rohs, Georg Essl, Johannes Schöning, Anja Naumann, Robert Schleicher, Antonio Krüger
Impact of item density on magic lens interactions. Mobile HCI (2009)
Georg Essl
Tinkering with Noise: Wie man neue Musikinstrumente technisch m¨oglich macht. Mensch & Computer Workshopband (2008)
Michael Rohs, Georg Essl
Sensing-Based Interaction for Information Navigation on Handheld Displays. Adv. Hum. Comput. Interact. 2008 (2008)
Ge Wang, Georg Essl, Henri Penttinen
Do Mobile phones Dream of Electric Orchestras? ICMC (2008)
Ananya Misra, Georg Essl, Michael Rohs
Microphone as Sensor in Mobile Phone Performance. NIME (2008)
Michael Rohs, Georg Essl
: collaborative music performance with mobile camera phones. Advances in Computer Entertainment Technology (2007)
Georg Essl, Michael Rohs
Shamus - a Sensor-Based Integrated Mobile phone Instrument. ICMC (2007)
Michael Rohs, Johannes Schöning, Martin Raubal, Georg Essl, Antonio Krüger
Map navigation with mobile devices: virtual versus physical movement with and without visual context. ICMI (2007)
Michael Rohs, Georg Essl
CaMus 2 - Optical Flow and Collaboration in Camera Phone Music Performance. NIME (2007)
Michael Rohs, Georg Essl
Sensing-based interaction for information navigation on handheld displays. Mobile HCI (2007)
Michael Rohs, Georg Essl
Which one is better?: information navigation techniques for spatially aware handheld displays. ICMI (2006)
Georg Essl, Michael Rohs
Mobile STK for Symbian OS. ICMC (2006)
Georg Essl
Computation of Wave Fronts on a Disk I: Numerical Experiments. Electron. Notes Theor. Comput. Sci. 161 (2006)
Georg Essl
Circle Maps as Simple Oscillators for Complex Behavior: I. Basics. ICMC (2006)
Michael Rohs, Georg Essl, Martin Roth
CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking. NIME (2006)
Georg Essl
Review of "Computational Line Geometry, by H. Pottmann and J. Wallner", Springer Verlag, 2001. SIGACT News 36 (3) (2005)
Georg Essl
Towards the synthesis of Wavefront Evolution in 2-d. ICMC (2005)
Georg Essl, M. Sile O'Modhrain
Scrubber: An Interface for Friction-induced Sounds. NIME (2005)
M. Sile O'Modhrain, Georg Essl
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. NIME (2004)
Georg Essl
Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions. CMMR (2004)
Georg Essl, Stefania Serafin, Perry R. Cook, Julius O. Smith III
Musical Applications of Banded Waveguides. Comput. Music. J. 28 (1) (2004)
Georg Essl, Stefania Serafin, Perry R. Cook, Julius O. Smith III
Theory of Banded Waveguides. Comput. Music. J. 28 (1) (2004)
Diana Young, Georg Essl
HyperPuja: A Tibetan Singing Bowl Controller. NIME (2003)
Georg Essl, Perry R. Cook
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas. ICMC (2002)
Ajay Kapur, Georg Essl, Philip Davidson, Perry R. Cook
The Electronic Tabla Controller. NIME (2002)
James F. O'Brien, Perry R. Cook, Georg Essl
Synthesizing sounds from physically based motion. SIGGRAPH (2001)
Kai Li, Han Chen, Yuqun Chen, Douglas W. Clark, Perry R. Cook, Stefanos N. Damianakis, Georg Essl, Adam Finkelstein, Thomas A. Funkhouser, Timothy C. Housel, Allison W. Klein, Zhiyan Liu, Emil Praun, Rudrajit Samanta, Ben Shedd, Jaswinder Pal Singh, George Tzanetakis, Jiannan Zheng
Building and Using A Scalable Display Wall System. IEEE Computer Graphics and Applications 20 (4) (2000)
Georg Essl, Perry R. Cook
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments. ICMC (1999)