Adrian Hazzard

ORCID

Publication Activity (10 Years)

Years Active: 2014-2024
Publications (10 Years): 34

Top Venues

CHI

Audio Mostly Conference

NIME

ACM Trans. Comput. Hum. Interact.

University of Nottingham, UK (PHD)

Education History

University of Nottingham, UK

PHD

Publications

Craig Vear, Adrian Hazzard, Solomiya Moroz, Johann Benerradi
Jess+: AI and robotics with inclusive music-making. CHI (2024)
Steve Benford, Kadja Manninen, Sarah Martindale, Adrian Hazzard, Juan Pablo Martinez-Avila, Paul Tennent, Jocelyn Spence, Teresa Castle-Green, Pat Brundell, Pepita Barnard, Dimitrios Paris Darzentas
Infrastructures for Virtual Volunteering at Online Music Festivals. Proc. ACM Hum. Comput. Interact. 7 (CSCW1) (2023)
Steve Benford, Adrian Hazzard, Craig Vear, Helena Webb, Alan Chamberlain, Chris Greenhalgh, Richard Ramchurn, Joe Marshall
Five Provocations for a More Creative TAS. TAS (2023)
Chris Greenhalgh, Adrian Hazzard, Steve Benford, Laurence Cliffe, Elizabeth Kelly
Crafting Trajectories of Smart Phone Use at the Opera. ACM Trans. Comput. Hum. Interact. 29 (6) (2022)
Joy Egede, Maria J. Galvez Trigo, Adrian Hazzard, Martin Porcheron, Edgar Bodiaj, Joel E. Fischer, Chris Greenhalgh, Michel F. Valstar
Designing an Adaptive Embodied Conversational Agent for Health Literacy: a User Study. IVA (2021)
Steve Benford, Richard Ramchurn, Joe Marshall, Max L. Wilson, Matthew Pike, Sarah Martindale, Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Paul Tennent, Brendan Walker
Contesting control: journeys through surrender, self-awareness and looseness of control in embodied interaction. Hum. Comput. Interact. 36 (5-6) (2021)
Alan Chamberlain, Adrian Hazzard, Elizabeth Kelly, Mads Bødker, Maria Kallionpää
From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound. Pers. Ubiquitous Comput. 25 (4) (2021)
Maria J. Galvez Trigo, Martin Porcheron, Joy Egede, Joel E. Fischer, Adrian Hazzard, Chris Greenhalgh, Edgar Bodiaj, Michel F. Valstar
ALTCAI: Enabling the Use of Embodied Conversational Agents to Deliver Informal Health Advice during Wizard of Oz Studies. CUI (2021)
Laurence Cliffe, James Mansell, Chris Greenhalgh, Adrian Hazzard
Materialising contexts: virtual soundscapes for real-world exploration. Pers. Ubiquitous Comput. 25 (4) (2021)
Alan Chamberlain, Adrian Hazzard, Elizabeth Kelly, Mads Bødker, Maria Kallionpää
Correction to: from AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound. Pers. Ubiquitous Comput. 25 (4) (2021)
Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää
Following the journey of scores through a complex musical work. Audio Mostly Conference (2020)
Boriana Koleva, Jocelyn Spence, Steve Benford, Hyosun Kwon, Holger Schnädelbach, Emily-Clare Thorn, William Preston, Adrian Hazzard, Chris Greenhalgh, Matt Adams, Ju Row-Farr, Nick Tandavanitj, Alice Angus, Giles Lane
Designing Hybrid Gifts. ACM Trans. Comput. Hum. Interact. 27 (5) (2020)
Juan Pablo Martinez-Avila, Adrian Hazzard, Chris Greenhalgh, Steve Benford
Augmenting Guitars for Performance Preparation. Audio Mostly Conference (2019)
Dougie Mann, Steve Benford, Adrian Hazzard, Alan Chamberlain, Dimitrios Paris Darzentas, Juan Pablo Martinez-Avila, Paul Tennent, Joe Marshall, Patrick Brundell, Brendan Walker, Andreas Krauss, Tim Moesgen, Lennart Otte
Demo hour. Interactions 26 (4) (2019)
Adrian Hazzard, Chris Greenhalgh
Adaptive Musical Soundtracks: from in-game to on the street. Audio Mostly Conference (2019)
Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Steve Benford, Anne Veinberg, Zubin Kanga, Andrew P. McPherson
Failing with Style: Designing for Aesthetic Failure in Interactive Performance. CHI (2019)
Laurence Cliffe, James Mansell, Joanne Cormac, Chris Greenhalgh, Adrian Hazzard
The Audible Artefact: Promoting Cultural Exploration and Engagement with Audio Augmented Reality. Audio Mostly Conference (2019)
Juan Pablo Martinez-Avila, Chris Greenhalgh, Adrian Hazzard, Steve Benford, Alan Chamberlain
Encumbered Interaction: a Study of Musicians Preparing to Perform. CHI (2019)
Steve Benford, Chris Greenhalgh, Adrian Hazzard, Alan Chamberlain, Maria Kallionpää, David M. Weigl, Kevin R. Page, Mengdie Lin
Designing the Audience Journey through Repeated Experiences. CHI (2018)
Juan Pablo Martinez-Avila, Adrian Hazzard, Alan Chamberlain, Chris Greenhalgh, Steve Benford
An AI-Based Design Framework to Support Musicians' Practices. Audio Mostly Conference (2018)
Jocelyn Spence, Adrian Hazzard, Sean McGrath, Chris Greenhalgh, Steve Benford
The Rough Mile: Testing a Framework of Immersive Practice. Conference on Designing Interactive Systems (2017)
Alan Chamberlain, Mads Bødker, Adrian Hazzard, David K. McGookin, David De Roure, Pip Willcox, Konstantinos Papangelis
Audio Technology and Mobile Human Computer Interaction: From Space and Place, to Social Media, Music, Composition and Creation. Int. J. Mob. Hum. Comput. Interact. 9 (4) (2017)
Adrian Hazzard, Jocelyn Spence, Chris Greenhalgh, Sean McGrath
The Rough Mile: Reframing Location Through Locative Audio. Audio Mostly Conference (2017)
Gary E. Burnett, Adrian Hazzard, Elizabeth Crundall, David Crundall
Altering Speed Perception through the Subliminal Adaptation of Music within a Vehicle. AutomotiveUI (2017)
Chris Greenhalgh, Steve Benford, Adrian Hazzard, Alan Chamberlain
Playing Fast and Loose with Music Recognition. CHI (2017)
Steve Benford, Boriana Koleva, Anthony Quinn, Emily-Clare Thorn, Kevin Glover, William Preston, Adrian Hazzard, Stefan Rennick Egglestone, Chris Greenhalgh, Richard Mortier
Crafting Interactive Decoration. ACM Trans. Comput. Hum. Interact. 24 (4) (2017)
Maria Kallionpää, Chris Greenhalgh, Adrian Hazzard, David M. Weigl, Kevin R. Page, Steve Benford
Composing and realising a game-like performance for disklavier and electronics. NIME (2017)
Steve Benford, Adrian Hazzard, Alan Chamberlain, Kevin Glover, Chris Greenhalgh, Liming Xu, Michaela Hoare, Dimitrios Paris Darzentas
Experiencing the Carolan Guitar. CHI Extended Abstracts (2016)
Joe Marshall, Conor Linehan, Adrian Hazzard
Designing Brutal Multiplayer Video Games. CHI (2016)
Steve Benford, Adrian Hazzard, Alan Chamberlain, Kevin Glover, Chris Greenhalgh, Liming Xu, Michaela Hoare, Dimitrios Paris Darzentas
Accountable Artefacts: The Case of the Carolan Guitar. CHI (2016)
Alan Chamberlain, Mads Bødker, Adrian Hazzard, Steve Benford
. MobileHCI Adjunct (2016)
Chris Greenhalgh, Adrian Hazzard, Sean McGrath, Steve Benford
GeoTracks: Adaptive Music for Everyday Journeys. ACM Multimedia (2016)
Andrew P. McPherson, Alan Chamberlain, Adrian Hazzard, Sean McGrath, Steve Benford
Designing for Exploratory Play with a Hackable Digital Musical Instrument. Conference on Designing Interactive Systems (2016)
Chris Greenhalgh, Steve Benford, Adrian Hazzard
^muzicode$: Composing and Performing Musical Codes. Audio Mostly Conference (2016)
Adrian Hazzard, Steve Benford, Alan Chamberlain, Chris Greenhalgh
Considering musical structure in location-based experiences. NIME (2015)
Adrian Hazzard, Steve Benford, Gary E. Burnett
Sculpting a Mobile Musical Soundtrack. CHI (2015)
Steve Benford, Adrian Hazzard, Alan Chamberlain, Liming Xu
Augmenting a guitar with its digital footprint. NIME (2015)
Steve Benford, Adrian Hazzard, Liming Xu
The Carolan guitar: a thing that tells its own life story. Interactions 22 (3) (2015)
Adrian Hazzard, Steve Benford, Gary E. Burnett
Walk this way: musically guided walking experiences. CHI (2014)
Adrian Hazzard, Steve Benford, Gary E. Burnett
You'll Never Walk Alone: Composing Location-Based Soundtracks. NIME (2014)

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Publication Activity (10 Years)

Top Topics

Top Venues

Adrian Hazzard