Ernest A. Edmonds

Publication Activity (10 Years)

Years Active: 1969-2022
Publications (10 Years): 14

Top Venues

CHI Extended Abstracts

Creativity & Cognition

Digit. Creativity

Tangible and Embedded Interaction

Publications

Neha Kumar, Julie A. Adams, Bill Buxton, Linda Candy, Pablo César, Leigh Clark, Benjamin R. Cowan, Anind K. Dey, Phoebe O. Toups Dugas, Ernest A. Edmonds, Michael A. Goodrich, Mark Green, Jonathan Grudin, Yoshifumi Kitamura, Joe Konstan, Celine Latulipe, Minha Lee, Tom Malone, Regan L. Mandryk, Panos Markopoulos, Michael J. Muller, Lennart E. Nacke, Yukiko Nakano, Marianna Obrist, Martin Porcheron, Aleksandra Sarcevic, Johannes Schöning, Stacey D. Scott, Bonita Sharif, Frank Steinicke, Simone Stumpf, Edward Tse, Vinoba Vinayagamoorthy
A chronology of SIGCHI conferences: 1983 to 2022. Interactions 29 (6) (2022)
Ernest A. Edmonds
C&C Past, Present and Future. Creativity & Cognition (2021)
Jonathan P. Bowen, Camille Baker, Ghislaine Boddington, Ernest A. Edmonds, Merel van Helsdingen, Terrence Masson
EVA London 2021: Keynote summaries. EVA (2021)
Ernest A. Edmonds
A journey from abstract film to concrete interaction. Digit. Creativity 31 (3) (2020)
Ernest A. Edmonds, Damian Hills, Yi Ji, Xin Tong
H Space: Interactive Augmented Reality Art. Tangible and Embedded Interaction (2020)
Ernest A. Edmonds
Art and Code: Programming as a Medium. ArtsIT/DLI (2019)
Myounghoon Jeon, Rebecca Fiebrink, Ernest A. Edmonds, Damith C. Herath
From rituals to magic: Interactive art and HCI of the past, present, and future. Int. J. Hum. Comput. Stud. 131 (2019)
Ernest A. Edmonds, Pip Greasley
Constructs: Conducts. CHI Extended Abstracts (2018)
Ernest A. Edmonds
What has Art Got to do With It? ACM Multimedia (2018)
Ernest A. Edmonds
Shaping Form S17. CHI Extended Abstracts (2017)
Ernest A. Edmonds
Lifetime achievement award in digital art. SIGGRAPH Speakers (2017)
Ernest A. Edmonds
SIGCHI Lifetime Practice Award Talk - Creatively Crossing Boundaries. CHI Extended Abstracts (2017)
David England, Celine Latulipe, Nick Bryan-Kinns, Ernest A. Edmonds, Sean Clark
Art.CHI II: Digital Art in a Post-Digital World. CHI Extended Abstracts (2016)
Ernest A. Edmonds, Sean Clark
Tango Apart: Moving Together. CHI Extended Abstracts (2016)
Nic Lupfer, Bill Hamilton, Andrew M. Webb, Rhema Linder, Ernest A. Edmonds, Andruid Kerne
The Art.CHI Gallery: An Embodied Iterative Curation Experience. CHI Extended Abstracts (2015)
Yi Ji, Chek Tien Tan, Ernest A. Edmonds
Towards Personalized Interfaces for Mobile Applications Using a Natural Text-Based Interaction. HCI (28) (2015)
David England, Linda Candy, Celine Latulipe, Thecla Schiphorst, Ernest A. Edmonds, Younghui Kim, Sean Clark, Andruid Kerne
Art.CHI. CHI Extended Abstracts (2015)
David England, Jocelyn Spence, Celine Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, Kirk A. Woolford
Curating the digital: spaces for art and interaction. CHI Extended Abstracts (2014)
David England, Jocelyn C. Spence, Celine Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, Kirk A. Woolford
Art and interaction SIG: cataloging the digital arts. CHI Extended Abstracts (2014)
Ernest A. Edmonds, Francesca Franco
From Communications Game to Cities Tango. Int. J. Creative Comput. 1 (1) (2013)
Sean Clark, Ernest A. Edmonds
ColourNet: a system of interactive and interacting digital artworks. CHI Extended Abstracts (2013)
Ernest A. Edmonds, Steve Benford, Zafer Bilda, Jill Fantauzzacoffin, Roger F. Malina, Hugues Vinet
Digital arts: did you feel that? CHI Extended Abstracts (2013)
Ernest A. Edmonds
Shaping Form Sussex (the movie). EVA (2013)
Rodney Berry, Ernest A. Edmonds, Andrew Johnston
Representational systems with tangible and graphical elements. ISMAR (2013)
Mika Luma Tuomola, Ernest A. Edmonds, Lone Malmborg
Collaboration and Community: Foreword. Digit. Creativity 23 (2) (2012)
Jill Fantauzzacoffin, Linda Candy, Ayoka Chenzira, Ernest A. Edmonds, David England, Thecla Schiphorst, Atau Tanaka
Articulating lines of research in digital arts, HCI, and interaction (invited SIG). CHI Extended Abstracts (2012)
Jennifer Seevinck, Ernest A. Edmonds, Linda Candy
Emergent participant interaction. OZCHI (2012)
Jill Fantauzzacoffin, Joanna Berzowska, Ernest A. Edmonds, Ken Goldberg, D. Fox Harrell, Brian Smith
The arts, HCI, and innovation policy discourse: invited panel. CHI Extended Abstracts (2012)
Roman Danylak, Ernest A. Edmonds
The planning and experience of time and space in three gestural media: theatre, film and interactive film. Int. J. Arts Technol. 5 (1) (2012)
Ernest A. Edmonds
Art, Interaction and Engagement. IV (2011)
Viveka Weiley, Ernest A. Edmonds
The HCI researcher as artist and designer: approaches to creativity and distance. Creativity & Cognition (2011)
David England, Ernest A. Edmonds, Jennifer G. Sheridan, Scott Pobiner, Nick Bryan-Kinns, Peter C. Wright, Michael B. Twidale, Carla Diana
Digital arts and interaction (invited). CHI Extended Abstracts (2011)
Ernest A. Edmonds
The art of interaction. Digit. Creativity 21 (4) (2010)
Ernest A. Edmonds
Beyond abstract film: constructivist digital time. EVA (2010)
Shigeki Amitani, Ernest A. Edmonds
A method for visualising possible contexts. Int. J. Adv. Intell. Paradigms 2 (2/3) (2010)
Aram Dulyan, Ernest A. Edmonds
AUXie: initial evaluation of a blind-accessible virtual museum tour. OZCHI (2010)
Ernest A. Edmonds
Words on the Creativity and Cognition Studios contribution. Computational Creativity: An Interdisciplinary Approach (2009)
Ernest A. Edmonds
Statement. Computational Creativity: An Interdisciplinary Approach (2009)
Ernest A. Edmonds, Zafer Bilda, Lizzie Muller
Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience. Digit. Creativity 20 (3) (2009)
Ernest A. Edmonds, Mark Fell
Two generative pieces: port hacking and DC_release. Creativity & Cognition (2009)
Brigid Mary Costello, Ernest A. Edmonds
Directed and emergent play. Creativity & Cognition (2009)
Andrew Johnston, Linda Candy, Ernest A. Edmonds
Designing for Conversational Interaction. NIME (2009)
Shigeki Amitani, Zafer Bilda, Damian Hills, Ernest A. Edmonds
Our Content: Generative Montage Methods for Multimedia Data. ICIW (2009)
Julien Phalip, Ernest A. Edmonds, David Jean
Supporting remote creative collaboration in film scoring. Creativity & Cognition (2009)
Jennifer Seevinck, Ernest A. Edmonds
Open in art, nature and emergence. OZCHI (2009)
Ernest A. Edmonds
New constructs in Art: Structure, Time, Correspondences and Interaction. EVA (2009)
Margaret A. Boden, Ernest A. Edmonds
What is generative art? Digit. Creativity 20 (1-2) (2009)
Zafer Bilda, Chris Bowman, Ernest A. Edmonds
Experience evaluation of interactive art: study of GEO landscapes. IE (2008)
Sarah L. Moss, Ernest A. Edmonds
The reflective practitioner: in creation of PEGASYS. OZCHI (2008)
Roman Danylak, Ernest A. Edmonds
Interactive film and the multiplied self. Comput. Entertain. 6 (3) (2008)
Roman Danylak, Ernest A. Edmonds
The Organisation of Time and Space in Three Gestural Media. SoMeT (2008)
Ernest A. Edmonds, Shigeki Amitani
Shaping Forms on The Web with a Collective Memory. SoMeT (2008)
Julien Phalip, David Jean, Ernest A. Edmonds
Resolving ambiguity of scope in remote collaboration: a study in film scoring. OZCHI (2008)
Ernest A. Edmonds
The creativity and cognition studios. BCS HCI (2) (2008)
Damian Hills, Yusuf Pisan, Ernest A. Edmonds
Towards a generic framework for situated collaborative storytelling. IE (2008)
Shigeki Amitani, Ernest A. Edmonds
A Method for Visualising Possible Contexts. KES (2) (2007)
Ernest A. Edmonds
The Art of Programming or Programs as Art. SoMeT (2007)
Zafer Bilda, Ernest A. Edmonds, Deborah Turnbull
Interactive experience in a public context. Creativity & Cognition (2007)
Shigeki Amitani, Ernest A. Edmonds
A context visualiser: the generative website project. SIGGRAPH Posters (2007)
Yun Zhang, Alastair Weakley, Ernest A. Edmonds
Resolving Assumptions in Art-Technology Collaboration as a Means of Extending Shared Understanding. HCI (9) (2007)
Roman Danylak, Zafer Bilda, Ernest A. Edmonds
Establishing research criteria for performed gestures and emotional interaction in an gestural film game: To be or not to be. SoMeT (2007)
Brigid Mary Costello, Ernest A. Edmonds
A study in play, pleasure and interaction design. DPPI (2007)
Julien Phalip, Matthew Morphett, Ernest A. Edmonds
Alleviating communication challenges in film scoring: an interaction design approach. OZCHI (2007)
Ben Shneiderman, Gerhard Fischer, Mary Czerwinski, Mitchel Resnick, Brad A. Myers, Linda Candy, Ernest A. Edmonds, Michael Eisenberg, Elisa Giaccardi, Thomas T. Hewett, Pamela Jennings, Bill Kules, Kumiyo Nakakoji, Jay F. Nunamaker Jr., Randy F. Pausch, Ted Selker, Elisabeth Sylvan, Michael A. Terry
Creativity Support Tools: Report From a U.S. National Science Foundation Sponsored Workshop. Int. J. Hum. Comput. Interact. 20 (2) (2006)
Rodney Berry, Mao Makino, Naoto Hikawa, Masahide Naemura, Yusuf Pisan, Ernest A. Edmonds
Programming in the world. Digit. Creativity 17 (1) (2006)
Lizzie Muller, Greg Turner, George Poonkhin Khut, Ernest A. Edmonds
Creating Affective Visualisations for a Physiologically Interactive Artwork. IV (2006)
Jennifer Seevinck, Linda Candy, Ernest A. Edmonds
Exploration and reflection in interactive art: glass pond. OZCHI (2006)
Rodney Berry, Masahide Naemura, Yuichi Kobayashi, Masahiro Tada, Naomi Inoue, Yusuf Pisan, Ernest A. Edmonds
An interface test-bed for 'Kansei' filters using the touch designer visual programming environment. AUIC (2006)
Lizzie Muller, Ernest A. Edmonds
Living Laboratories: Making and Curating Interactive Art. SIGGRAPH Art Gallery (2006)
Ernest A. Edmonds
Abstraction and Interaction: an Art System for White Noise. CGIV (2006)
Andrew Johnston, Benjamin Marks, Ernest A. Edmonds
An Artistic Approach to Designing Visualisations to Aid Instrumental Music Learning. CELDA (2005)
Greg Turner, Ernest A. Edmonds, Alastair Weakley
Seeing Eye-to-Eye: Supportive Transdisciplinary Environments for Interactive Art. IV (2005)
Alastair Weakley, Ernest A. Edmonds
Web-based support for creative collaboration. Int. J. Web Based Communities 1 (4) (2005)
Andrew Johnston, Shigeki Amitani, Ernest A. Edmonds
Amplifying reflective thinking in musical performance. Creativity & Cognition (2005)
Ernest A. Edmonds, Linda Candy
Computation, Interaction and Imagination: Into Virtual Space and Back to Reality. SoMeT (2005)
Greg Turner, Alastair Weakley, Yun Zhang, Ernest A. Edmonds
Attuning: A Social and Technical Study of Artist-Programmer Collaborations. PPIG (2005)
Greg Turner, Alastair Weakley, Yun Zhang, Ernest A. Edmonds
A Grounded Theory Study of Programming in Artist-Programmer Collaborations. SoMeT (2005)
Roman Danylak, Ernest A. Edmonds
Acting Interactively in a Digital World. SoMeT (2005)
Ernest A. Edmonds, Linda Candy
Computer support for creativity. Int. J. Hum. Comput. Stud. 63 (4-5) (2005)
Ernest A. Edmonds, Alastair Weakley
Using Repertory Grid in an Assessment of Impression Formation. ACIS (2005)
Dave Burraston, Ernest A. Edmonds
Cellular automata in generative electronic music and sonic art: a historical and technical review. Digit. Creativity 16 (3) (2005)
Ernest A. Edmonds, Mark Fell
Kyoto to Sheffield. Creativity & Cognition (2005)
Shigeki Amitani, Ernest A. Edmonds
Knowledge nebula crystallizer for time-based information. Creativity & Cognition (2005)
Ernest A. Edmonds, Alastair Weakley, Linda Candy, Mark Fell, Roger Knott, Sandra Pauletto
The studio as laboratory: Combining creative practice and digital technology research. Int. J. Hum. Comput. Stud. 63 (4-5) (2005)
Ernest A. Edmonds
On creative engagement with interactive art. GRAPHITE (2005)
Ernest A. Edmonds, Sandra Pauletto
Audiovisual Discourse in Digital Art. SIGGRAPH Art Gallery (2004)
Ernest A. Edmonds, Andrew Martin, Sandra Pauletto
Audio-visual interfaces in digital art. Advances in Computer Entertainment Technology (2004)
Ernest A. Edmonds, Greg Turner, Linda Candy
Approaches to interactive art systems. GRAPHITE (2004)
Andrew Johnston, Ernest A. Edmonds
Creativity, Music and Computers: Guidelines for Computer-Based Instrumental Music Support Tools. ACIS (2004)
Ernest A. Edmonds, Greg Turner
Intelligent interaction in art systems. IUI (2004)
Linda Candy, Ernest A. Edmonds
Creative Expertise and Collaborative Technology Design. APCHI (2004)
Ernest A. Edmonds, Dave Everitt, Michael Macaulay, Greg Turner
On physiological computing with an application in interactive art. Interact. Comput. 16 (5) (2004)
Alastair Weakley, Ernest A. Edmonds
Shared Visualizations in Support of Distributed Creative Communities. Australas. J. Inf. Syst. 11 (2) (2004)
Dave Burraston, Ernest A. Edmonds, Dan Livingstone, Eduardo Reck Miranda
Cellular Automata in MIDI based Computer Music. ICMC (2004)
Ernest A. Edmonds, Mark Fell
Broadway one. SIGGRAPH Art Gallery (2004)
Ernest A. Edmonds, Linda Candy, Mark Fell, Roger Knott, Alastair Weakley
Macaroni Synthesis: A Creative Multimedia Collaboration. IV (2003)
Ernest A. Edmonds
Logics for constructing generative art systems. Digit. Creativity 14 (1) (2003)
Ernest A. Edmonds, Linda Candy
Creativity, art practice, and knowledge. Commun. ACM 45 (10) (2002)
Linda Candy, Ernest A. Edmonds
Modeling co-creativity in art and technology. Creativity & Cognition (2002)
Linda Candy, Bronac Ferran, Judith Mottram, Ernest A. Edmonds, John Haworth, Jon Pettigrew
Panel: research into art and technology. Creativity & Cognition (2002)

Ernest A. Edmonds.css-eqlu8i{font-size:small;padding-left:4px;}

Publication Activity (10 Years)

Top Topics

Top Venues

Ernest A. Edmonds