Eduardo Reck Miranda

Publication Activity (10 Years)

Years Active: 1993-2024
Publications (10 Years): 18

Top Topics

Scripting Language

Cellular Automata

Top Venues

Int. J. Unconv. Comput.

Comput. Music. J.

Publications

Patrizia Di Campli San Vito, Xiaochen Yang, James Ross, Gözel Shakeri, Stephen A. Brewster, Satvik Venkatesh, Alex Street, Jörg Fachner, Paul Fernie, Leonardo Muller-Rodriguez, Ming Hung Hsu, Helen Odell-Miller, Hari Shaji, Paulo Vitor Itaboraí, Nicolas Farina, Sube Banerjee, Alexis Kirke, Eduardo Reck Miranda
RadioMe: Adaptive Radio with Music Intervention and Reminder System for People with Dementia in Their Own Home. AHs (2024)
Paulo Vitor Itaboraí, Tim Schwägerl, María Aguado Yáñez, Arianna Crippa, Karl Jansen, Eduardo Reck Miranda, Peter Thomas
Variational Quantum Harmonizer: Generating Chord Progressions and Other Sonification Methods with the VQE Algorithm. CoRR (2023)
Patrizia Di Campli San Vito, Xiaochen Yang, Stephen A. Brewster, Alex Street, Jörg Fachner, Paul Fernie, Leonardo Muller-Rodriguez, Ming Hung Hsu, Helen Odell-Miller, Hari Shaji, Paulo Vitor Itaboraí, Nicolas Farina, Sube Banerjee, Alexis Kirke, Eduardo Reck Miranda
RadioMe: Adaptive Radio to Support People with Mild Dementia in Their Own Home. HHAI (2023)
Satvik Venkatesh, David Moffat, Eduardo Reck Miranda
Word Embeddings for Automatic Equalization in Audio Mixing. CoRR (2022)
Eduardo Reck Miranda, Brian N. Siegelwax
Teaching Qubits to Sing: Mission Impossible? Int. J. Unconv. Comput. 17 (4) (2022)
Eduardo Reck Miranda, Brian N. Siegelwax
Teaching Qubits to Sing: Mission Impossible? CoRR (2022)
Eduardo Reck Miranda, Satvik Venkatesh, José David Martín-Guerrero, Carlos Hernani-Morales, Lucas Lamata, Enrique Solano
An approach to interfacing the brain with quantum computers: practical steps and caveats. CoRR (2022)
Satvik Venkatesh, David Moffat, Eduardo Reck Miranda
You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection. CoRR (2021)
Eduardo Reck Miranda, Richie Yeung, Anna Pearson, Konstantinos Meichanetzidis, Bob Coecke
A Quantum Natural Language Processing Approach to Musical Intelligence. CoRR (2021)
Satvik Venkatesh, David Moffat, Alexis Kirke, Gözel Shakeri, Stephen A. Brewster, Jörg Fachner, Helen Odell-Miller, Alex Street, Nicolas Farina, Sube Banerjee, Eduardo Reck Miranda
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. CoRR (2021)
Satvik Venkatesh, David Moffat, Alexis Kirke, Gözel Shakeri, Stephen A. Brewster, Jörg Fachner, Helen Odell-Miller, Alex Street, Nicolas Farina, Sube Banerjee, Eduardo Reck Miranda
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. ICASSP (2021)
Eduardo Reck Miranda
On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind. CoRR (2021)
Eduardo Reck Miranda
Genetic Music System with Synthetic Biology. Artif. Life 26 (3) (2020)
Ian Daly, Duncan Williams, Asad Malik, James Weaver, Alexis Kirke, Faustina Hwang, Eduardo Reck Miranda, Slawomir J. Nasuto
Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing. IEEE Trans. Affect. Comput. 11 (1) (2020)
Eduardo Reck Miranda, Edward Braund, Satvik Venkatesh
Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? Comput. Music. J. 42 (3) (2018)
Alexis Kirke, Duncan Williams, Eduardo Reck Miranda, Amanda Bluglass, Craig Whyte, Rishi Pruthi, Andrew Eccleston
Unconsciously interactive Films in a cinema environment - a demonstrative case study. Digit. Creativity 29 (2-3) (2018)
Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, Faustina Hwang, James Weaver, Slawomir Nasuto
Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System. ACM Trans. Appl. Percept. 14 (3) (2017)
Federico Visi, Baptiste Caramiaux, Michael Mcloughlin, Eduardo Reck Miranda
A knowledge-based, data-driven method for action-sound mapping. NIME (2017)
Edward Braund, Eduardo Reck Miranda
Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum. EvoMUSART (2015)
Alexis Kirke, Eduardo Reck Miranda
A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications. J. Artif. Soc. Soc. Simul. 18 (2) (2015)
Alexis J. Kirke, Peter Shadbolt, Alex Neville, Eduardo Reck Miranda
A Hybrid Computer Case Study for Unconventional Virtual Computing. Int. J. Unconv. Comput. 11 (3-4) (2015)
Rodrigo Schramm, Cláudio Rosito Jung, Eduardo Reck Miranda
Dynamic Time Warping for Music Conducting Gestures Evaluation. IEEE Trans. Multim. 17 (2) (2015)
Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Reck Miranda
Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities. CMMR (2015)
Ian Daly, Asad Malik, James Weaver, Faustina Hwang, Slawomir J. Nasuto, Duncan Williams, Alexis Kirke, Eduardo Reck Miranda
Identifying music-induced emotions from EEG for use in brain-computer music interfacing. ACII (2015)
Alexis Kirke, Samuel Freeman, Eduardo Reck Miranda
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank. Comput. Music. J. 39 (3) (2015)
Duncan Williams, Alexis Kirke, Eduardo Reck Miranda, Ian Daly, James Hallowell, James Weaver, Asad Malik, Etienne B. Roesch, Faustina Hwang, Slawomir J. Nasuto
Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition. ACM Trans. Appl. Percept. 12 (3) (2015)
Jared Drayton, Eduardo Reck Miranda
Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT. EvoMUSART (2015)
Federico Visi, Rodrigo Schramm, Eduardo Reck Miranda
Use of Body Motion to Enhance Traditional Musical Instruments. NIME (2014)
Eduardo Reck Miranda, Andrew Adamatzky
Editorial. Int. J. Unconv. Comput. 10 (3) (2014)
Eduardo Reck Miranda
Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition. Int. J. Unconv. Comput. 10 (3) (2014)
Jaime Serquera, Eduardo Reck Miranda
Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design. Comput. Music. J. 38 (4) (2014)
Alexis Kirke, Eduardo Reck Miranda
Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation. Simul. 90 (5) (2014)
Joel Eaton, Weiwei Jin, Eduardo Reck Miranda
The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member. NIME (2014)
Federico Visi, Duncan Williams, Eduardo Reck Miranda, Giovanni Dothel
An Immersive Media Model of Amyotrophic Lateral Sclerosis. EVA (2014)
Duncan Williams, Peter Randall-Page, Eduardo Reck Miranda
Timbre morphing: near real-time hybrid synthesis in a musical installation. NIME (2014)
Federico Visi, Rodrigo Schramm, Eduardo Reck Miranda
Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies. MOCO (2014)
Alexis J. Kirke, Eduardo Reck Miranda
Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation. Int. J. Unconv. Comput. 10 (3) (2014)
Alexis J. Kirke, Eduardo Reck Miranda
Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education. Int. J. Unconv. Comput. 10 (3) (2014)
Ian Daly, James Hallowell, Faustina Hwang, Alexis Kirke, Asad Malik, Etienne B. Roesch, James Weaver, Duncan Williams, Eduardo Reck Miranda, Slawomir J. Nasuto
Changes in music tempo entrain movement related brain activity. EMBC (2014)
Edward Braund, Eduardo Reck Miranda
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis. CMMR (2013)
Francisco Fernández de Vega, Carlos Cotta, Eduardo Reck Miranda
Special issue on evolutionary music. Soft Comput. 16 (12) (2012)
Alexis Kirke, Eduardo Reck Miranda, Slawomir J. Nasuto
Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control. CMMR (2012)
Kevin McCracken, John Matthias, Eduardo Reck Miranda
Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons. EvoApplications (2) (2011)
Torsten Anders, Eduardo Reck Miranda
Constraint programming systems for modeling music theories and composition. ACM Comput. Surv. 43 (4) (2011)
Noris Mohd. Norowi, Eduardo Reck Miranda
Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process. EUROCON (2011)
Luciano Vargas Flores, Marcelo Soares Pimenta, Eduardo Reck Miranda, Eduardo A. A. Radanovitsck, Damián Keller
Patterns for the design of musical interaction with everyday mobile devices. IHC (2010)
Jaime Serquera, Eduardo Reck Miranda
Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms. EvoApplications (2) (2010)
Luciano Vargas Flores, Evandro Manara Miletto, Marcelo Soares Pimenta, Eduardo Reck Miranda, Damián Keller
Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project. SIGDOC (2010)
Eduardo Reck Miranda, Alexis Kirke, Qijun Zhang
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. Comput. Music. J. 34 (1) (2010)
Torsten Anders, Eduardo Reck Miranda
Constraint Application with Higher-Order Programming for Modeling Music Theories. Comput. Music. J. 34 (2) (2010)
Jane Grant, John Matthias, Tim Hodgson, Eduardo Reck Miranda
Hearing Thinking. EvoWorkshops (2009)
Eduardo Reck Miranda, Larry Bull, François Gueguen, Ivan S. Uroukov
Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks. Comput. Music. J. 33 (1) (2009)
Alexis Kirke, Eduardo Reck Miranda
A survey of computer systems for expressive music performance. ACM Comput. Surv. 42 (1) (2009)
Eduardo Reck Miranda, Marcelo Soares Pimenta
Letter from the Guest Editors. J. Braz. Comput. Soc. 14 (3) (2008)
Jaime Serquera, Eduardo Reck Miranda
Cellular automata sound synthesis: from histograms to spectrograms. Automata (2008)
Eduardo Reck Miranda
Emergent songs by social robots. J. Exp. Theor. Artif. Intell. 20 (4) (2008)
Marcelo Gimenes, Eduardo Reck Miranda, Chris A. Johnson
Musicianship for Robots with Style. NIME (2007)
Qijun Zhang, Eduardo Reck Miranda
Evolving musical performance profiles using genetic algorithms with structural fitness. GECCO (2006)
João Magalhães Martins, Eduardo Reck Miranda
A Connectionist Architecture for the Evolution of Rhythms. EvoWorkshops (2006)
Qijun Zhang, Eduardo Reck Miranda
Towards an Evolution Model of Expressive Music Performance. ISDA (2) (2006)
Leandro Lesqueves Costalonga, Eduardo Reck Miranda, John Matthias, Rosa Vicari
An Idiomatic Plucked String Player. FLAIRS Conference (2006)
Eduardo Reck Miranda, Qijun Zhang
Composition as Game Strategy: Making Music by Playing Board Games against Evolved Artificial Neural Networks. ICMC (2005)
Eduardo Reck Miranda, Andrew Brouse
Toward Direct Brain-Computer Musical Interfaces. NIME (2005)
Eduardo Reck Miranda, John Matthias
Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons. EvoWorkshops (2005)
Nikolas Valsamakis, Eduardo Reck Miranda
Iterative sound synthesis by means of cross-coupled digital oscillators. Digit. Creativity 16 (2) (2005)
Eduardo Reck Miranda, Andrew Brouse, Bram Boskamp, Hilary Mullaney
Plymouth brain-Computer Music Interface Project: Intelligent assistive Technology for Music-Making. ICMC (2005)
Jesús L. Alvaro, Eduardo Reck Miranda, Beatriz Barros
Music Knowledge Analysis: Towards an Efficient Representation for Composition. CAEPIA (2005)
Eduardo Coutinho, Eduardo Reck Miranda, Patricio da Silva
Evolving Emotional Behaviour for Expressive Performance of Music. IVA (2005)
Eduardo Reck Miranda, Adolfo Maia
Granular synthesis of sounds through Markov Chains with fuzzy control. ICMC (2005)
Dan Livingstone, Eduardo Reck Miranda
Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces. NIME (2005)
Eduardo Reck Miranda
At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody. Evol. Comput. 12 (2) (2004)
Dave Burraston, Ernest A. Edmonds, Dan Livingstone, Eduardo Reck Miranda
Cellular Automata in MIDI based Computer Music. ICMC (2004)
Eduardo Reck Miranda
On the evolution of music in a society of self-taught digital creatures. Digit. Creativity 14 (1) (2003)
Eduardo Reck Miranda, Ken Sharman, Kerry Kilborn, Alexander Duncan
On Harnessing the Electroencephalogram for the Musical Braincap. Comput. Music. J. 27 (2) (2003)
Eleonora Bilotta, Eduardo Reck Miranda, Pietro S. Pantano, Peter M. Todd
Artificial Life Models for Musical Applications: Workshop Report. Artif. Life 8 (1) (2002)
Eduardo Reck Miranda
Emergent Sound Repertoires in Virtual Societies. Comput. Music. J. 26 (2) (2002)
Eduardo Reck Miranda
Voices of Artificial Life: On Making Music with Computer Models of Nature. ICMC (2002)
Eduardo Reck Miranda
Sounds of artificial life. Creativity & Cognition (2002)
Eduardo Reck Miranda
Mimetic Development of Intonation. ICMAI (2002)
Eduardo Reck Miranda
The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis. EUROMICRO (2000)
Eduardo Reck Miranda
Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention. ICMC (1996)
Eduardo Reck Miranda
Cellular Automata Synthesis of Acoustic Particles. ICMC (1995)
Alan Smaill, Geraint A. Wiggins, Eduardo Reck Miranda
Music Representation - Between the Musician and the Computer. Music Education: An Artificial Intelligence Approach (1993)