Carlos Agón

Publication Activity (10 Years)

Years Active: 1994-2024
Publications (10 Years): 7

Top Topics

Morphological Operations

Computationally Simple

Music Composition

Mathematical Morphology

Top Venues

Publications

Carlos Agón, Karim Haddad, Gonzalo Romero-García
The Maquette Monad. FARM (2024)
Gonzalo Romero-García, Carlos Agón, Isabelle Bloch
A Model of Scores as Abstract Syntactic Trees. MCM (2024)
Gonzalo Romero-García, Isabelle Bloch, Carlos Agón
Mathematical Morphology Applied to Feature Extraction in Music Spectrograms. DGMM (2024)
Paul Lascabettes, Carlos Agón, Moreno Andreatta, Isabelle Bloch
Computational Analysis of Musical Structures Based on Morphological Filters. MCM (2022)
Gonzalo Romero-García, Isabelle Bloch, Carlos Agón
Mathematical Morphology Operators for Harmonic Analysis. MCM (2022)
Carlos Agón, Moreno Andreatta, Jamal Atif, Isabelle Bloch, Pierre Mascarade
Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology. ICCS (2018)
Pierre Talbot, Carlos Agón, Philippe Esling
Interactive computer-aided composition with constraints. ICMC (2017)
Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag
Gelisp: A Library to Represent Musical CSPs and Search Strategies. CoRR (2015)
Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag
NTCCRT: A concurrent constraint framework for real-time interaction (extended version). CoRR (2015)
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
Structured observation with polyphony: a multifaceted tool for studying music composition. Conference on Designing Interactive Systems (2014)
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
PaperComposer: creating interactive paper interfaces for music composition. IHM (2014)
Hélianthe Caure, Carlos Agón, Moreno Andreatta
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language. ICMC (2014)
Philippe Esling, Carlos Agón
Multiobjective Time Series Matching for Audio Classification and Retrieval. IEEE Trans. Speech Audio Process. 21 (10) (2013)
Philippe Esling, Carlos Agón
Time-series data mining. ACM Comput. Surv. 45 (1) (2012)
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
Interactive paper substrates to support musical creation. CHI (2012)
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
InkSplorer: Exploring Musical Ideas on Paper and Computer. NIME (2011)
Jean Bresson, Carlos Agón, Gérard Assayag
OpenMusic: visual programming environment for music composition, analysis and research. ACM Multimedia (2011)
Jean Bresson, Carlos Agón
Visual programming and music score generation with OpenMusic. VL/HCC (2011)
Carlos Agón, Jean Bresson, Marco Stroppa
OMChroma: Compositional Control of Sound Synthesis. Comput. Music. J. 35 (2) (2011)
Philippe Esling, Carlos Agón
Composition Of Sound Mixtures With Spectral Maquettes. ICMC (2010)
Philippe Esling, Grégoire Carpentier, Carlos Agón
Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments. EvoApplications (2) (2010)
Jean Bresson, Carlos Agón
Processing Sound And Music Description Data Using Openmusic. ICMC (2010)
Jean Bresson, Carlos Agón, Gérard Assayag
Visual Lisp/CLOS programming in OpenMusic. High. Order Symb. Comput. 22 (1) (2009)
Mauricio Toro-Bermúdez, Camilo Rueda, Carlos Agón, Gérard Assayag
Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction. ICMC (2009)
Jean Bresson, Carlos Agón
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. Comput. Music. J. 32 (4) (2008)
Carlos Agón, Jean Bresson, Gérard Assayag
OpenMusic: Design and Implementation Aspects of a Visual Programming Language. ELS (2008)
Emmanuel Amiot, Thomas Noll, Moreno Andreatta, Carlos Agón
Fourier Oracles for Computer-Aided Improvisation. ICMC (2006)
Jean Bresson, Marco Stroppa, Carlos Agón
Symbolic control of sound synthesis in Computer Assisted Composition. ICMC (2005)
Emmanuel Amiot, Moreno Andreatta, Carlos Agón
Tiling the (Musical) Line with polynomials: some Theoretical and implementational Aspects. ICMC (2005)
Moreno Andreatta, D. T. Vuza, Carlos Agón
On some theoretical and computational aspects of Anatol Vieru's periodic sequences. Soft Comput. 8 (9) (2004)
Jean Bresson, Carlos Agón
SDIF sound description data representation and manipulation in computer assisted composition. ICMC (2004)
Moreno Andreatta, Carlos Agón
Implementing algebraic methods in OpenMusic. ICMC (2003)
Moreno Andreatta, Carlos Agón, Emmanuel Amiot
Tiling problems in music composition: Theory and Implementation. ICMC (2002)
Carlos Agón, Karim Haddad, Gérard Assayag
Representation and Rendering of Rhythm Structures. WEDELMUSIC (2002)
Carlos Agón, Gérard Assayag
Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur. IHM (2002)
Charlotte Truchet, Carlos Agón, Gérard Assayag
Recherche adaptative et contraintes musicales. JFPLC (2001)
Carlos Agón, Marco Stroppa, Gérard Assayag
High Level Musical Control of Sound Synthesis in OpenMusic. ICMC (2000)
Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. Comput. Music. J. 23 (3) (1999)
Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda
Objects, Time and Constraints in OpenMusic. ICMC (1998)
Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe
An Object Oriented Visual Environment For Musical Composition. ICMC (1997)
Gérard Assayag, Carlos Agón
OpenMusic Architecture. ICMC (1996)
Carlos Agón, Gérard Assayag, Joshua Fineberg, Camilo Rueda
Kant: a Critique of Pure Quantification. ICMC (1994)