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MCM
2011
2015
2019
2024
2011
2024
Keyphrases
Publications
2024
Brian Martínez-Rodríguez
,
Vicente Liern
Assessing the Compatibility Between Musical Performance and Tuning System.
MCM
(2024)
Alexandre Popoff
,
Moreno Andreatta
Hidden Categories: A New Perspective on Lewin's Generalized Interval Systems and Klumpenhouwer Networks.
MCM
(2024)
Christopher Dobrian
,
Omar Costa Hamido
Intro to Quantum Harmony: Chords in Superposition.
MCM
(2024)
Yves Hellegouarch
Sketch of a Comparative Study of the Mathematical Resonances of the Advent of Perspective (in Painting) and Equal Temperament (in Music).
MCM
(2024)
Aziz Ifzarne
Quarter-Tone Music: A Tuning System Rooted in Natural Harmonic Series.
MCM
(2024)
Matt Klassen
,
Paul Lanthier
Melodic Contour Generation with Spline Models of Cycles.
MCM
(2024)
Emmanuel Amiot
,
Tom Johnson
Of All Interval Tetrachords and Octatonic Scales.
MCM
(2024)
Shawn Michael Westmoreland
Piston Words.
MCM
(2024)
Paraj Mukherjee
Euclidean Rhythm with Palindromic Rests.
MCM
(2024)
Alberto Avitabile
,
Omar Costa Hamido
,
Maria Mannone
Quantum Memory and Mathematical Gestures: Two Perspectives on Verdi and Wagner.
MCM
(2024)
Jeremy Kastine
Configurations of Disjoint Augmentation Canons.
MCM
(2024)
Gilles Baroin
,
Richard Cohn
Advanced Visualization Techniques for Music Theory.
MCM
(2024)
Gonzalo Romero-García
,
Carlos Agón
,
Isabelle Bloch
A Model of Scores as Abstract Syntactic Trees.
MCM
(2024)
Antti Laaksonen
,
Kjell Lemström
Advanced Polyphonic Music Pattern Matching Algorithms with Timing Invariances.
MCM
(2024)
Paul Lascabettes
,
Isabelle Bloch
What Are "Good" Rhythms? Generating Rhythms Based on the Properties Set Out in The Geometry of Musical Rhythm.
MCM
(2024)
Luis Nuño
Tonnetze and Tori for the 19-, 31-, and 53-Tone Equal Temperaments.
MCM
(2024)
Yves Hellegouarch
Some Common Sense Remarks on the Tuning of String Trios or Quartet Instruments.
MCM
(2024)
Victoria Callet
DFT and Persistent Homology for Topological Musical Data Analysis.
MCM
(2024)
Nádia Carvalho
,
Gilberto Bernardes
Fourier (Common-Tone) Phase Spaces are in Tune with Variational Autoencoders' Latent Space.
MCM
(2024)
Samuel Pereira
,
Giovanni Affatato
,
Gilberto Bernardes
,
Fabian C. Moss
Fourier Qualia Wavescapes: Hierarchical Analyses of Set Class Quality and Ambiguity.
MCM
(2024)
Kristína Hurajová
,
Ondrej Hutník
Towards Measuring the Distances of Chords of Different Cardinalities.
MCM
(2024)
Juliana Spector
,
Maria Mannone
,
Mariana Montiel
,
Francisco Gómez
Voice and Math: The Art of Singing in Light of Mathematical Music Theory.
MCM
(2024)
Riccardo Gilblas
Persistent Homology and Harmonic Analysis.
MCM
(2024)
Thomas Noll
,
David Clampitt
,
Mariana Montiel
The Sandwich-Lemma: The Recursive Structure of Super-Syntonic and Super-Diatonic Automorphisms.
MCM
(2024)
Darrell Conklin
Mining Significant Sequential Contrast Patterns.
MCM
(2024)
Michael Cohen
,
Yasuyuki Kachi
Recurrence Relations Rhythm.
MCM
(2024)
Aarón López-García
A Fingerprinting-Based Strategy for Musical Genre Similarity.
MCM
(2024)
Qiuwan Zhao
Structural and Transformational Relations Between Z-Related Hexachords.
MCM
(2024)
Violeta Dinescu
Stages in My Vuza Rhythmic Canons.
MCM
(2024)
Fernando Gualda
Bits and Beats: Computing Rhythmic Information as Bitwise Operations Optimized for Machine Learning.
MCM
(2024)
Peter beim Graben
,
Thomas Noll
Quantum Tonality: A Mathemusical Playground.
MCM
(2024)
M. A. Coury-Hall
I-Shaped Tiles in the Tonnetz.
MCM
(2024)
Wynne Hellegouarch
,
Franck Jedrzejewski
A Tribute to Yves Hellegouarch.
MCM
(2024)
Quan Duong
,
Kjell Lemström
,
Olli Reijonen
On Brazilian Drum Claves and Generating Rhythm Patterns Out of Them.
MCM
(2024)
Franck Jedrzejewski
Finding Homometric Multiplets.
MCM
(2024)
Juan José Navarro-Cáceres
,
Nádia Carvalho
,
Gilberto Bernardes
,
Diego M. Jiménez-Bravo
,
María Navarro-Cáceres
Exploring Mode Identification in Irish Folk Music with Unsupervised Machine Learning and Template-Based Techniques.
MCM
(2024)
Dave Keenan
,
Douglas Blumeyer
Regular Temperament Theory: Exploring the Landscape Between JI and ETs with Linear Algebra.
MCM
(2024)
Julio Estrada
An Exploration of the Discontinuous-Continuous Fusion in Yuunohui'tlapoa for Keyboard.
MCM
(2024)
Reiko Yamada
,
Antoine Reserbat-Plantey
,
Eloy Piñol
,
Maciej Lewenstein
Sonification of Wigner Functions: Case Study of Intense Light-Matter Interactions.
MCM
(2024)
Octavio Alberto Agustín-Aquino
,
Alicia Santiago-Santos
Melody and Variation Generation Through KAM Theory.
MCM
(2024)
Gilberto Bernardes
,
Nádia Carvalho
Modal Pitch Space: A Computational Model of Melodic Pitch Attraction in Folk Music.
MCM
(2024)
volume 14639, 2024
Mathematics and Computation in Music - 9th International Conference, MCM 2024, Coimbra, Portugal, June 18-21, 2024, Proceedings
MCM
14639 (2024)
2022
Isaac del Pozo
,
Francisco Gómez
A Mathematical Model of Tonal Function (I): Voice Leadings.
MCM
(2022)
Dave Keenan
,
Douglas Blumeyer
N2D3P9.
MCM
(2022)
Aarón López-García
,
Brian Martínez-Rodríguez
,
Vicente Liern
A Proposal to Compare the Similarity Between Musical Products. One More Step for Automated Plagiarism Detection?
MCM
(2022)
Jordan Lenchitz
,
Anthony Coniglio
Continuous Chromagrams and Pseudometric Spaces of Sound Spectra.
MCM
(2022)
Edgar Armando Delgado Vega
Formal Structures of a Harmony in the Parabola.
MCM
(2022)
Gonzalo Romero-García
,
Isabelle Bloch
,
Carlos Agón
Mathematical Morphology Operators for Harmonic Analysis.
MCM
(2022)
Greta Lanzarotto
,
Ludovico Pernazza
Extended Vuza Canons.
MCM
(2022)
volume 13267, 2022
Mathematics and Computation in Music - 8th International Conference, MCM 2022, Atlanta, GA, USA, June 21-24, 2022, Proceedings
MCM
13267 (2022)