Estefanía Cano

Publication Activity (10 Years)

Years Active: 2010-2023
Publications (10 Years): 26

Top Topics

Transfer Learning

Music Emotion Recognition

Source Separation

Top Venues

IEEE ACM Trans. Audio Speech Lang. Process.

Publications

Juan Sebastián Gómez Cañón, Nicolás Felipe Gutiérrez Páez, Lorenzo Porcaro, Alastair Porter, Estefanía Cano, Perfecto Herrera-Boyer, Aggelos Gkiokas, Patricia Santos, Davinia Hernández-Leo, Casper Karreman, Emilia Gómez
TROMPA-MER: an open dataset for personalized music emotion recognition. J. Intell. Inf. Syst. 60 (2) (2023)
Sascha Grollmisch, Estefanía Cano, Hanna M. Lukashevich, Jakob Abeßer
Uncertainty in Semi-Supervised Audio Classification - A Novel Extension for FixMatch. EUSIPCO (2023)
Juan Sebastián Gómez Cañón, Estefanía Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gómez
Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? ICASSP (2021)
Juan Sebastián Gómez Cañón, Estefanía Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gómez
Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. ISMIR (2021)
Christian Kehling, Estefanía Cano
Knowledge Transfer from Neural Networks for Speech Music Classification. CMMR (2021)
Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate, Moises Betancur Peláez
Sesquialtera in the Colombian Bambuco: Perception and Estimation of Beat and Meter - Extended version. Trans. Int. Soc. Music. Inf. Retr. 4 (1) (2021)
Juan Sebastián Gómez Cañón, Perfecto Herrera, Estefanía Cano, Emilia Gómez
Personalized musically induced emotions of not-so-popular Colombian music. CoRR (2021)
Juan Sebastián Gómez Cañón, Estefanía Cano, Tuomas Eerola, Perfecto Herrera, Xiao Hu, Yi-Hsuan Yang, Emilia Gómez
Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. IEEE Signal Process. Mag. 38 (6) (2021)
Scott Beveridge, Steffen A. Herff, Estefanía Cano
Degradation effects of water immersion on earbud audio quality. CoRR (2020)
Sascha Grollmisch, Estefanía Cano, Christian Kehling, Michael Taenzer
Analyzing the Potential of Pre-Trained Embeddings for Audio Classification Tasks. EUSIPCO (2020)
Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez
Transfer learning from speech to music: towards language-sensitive emotion recognition models. EUSIPCO (2020)
Stylianos Ioannis Mimilakis, Konstantinos Drossos, Estefanía Cano, Gerald Schuller
Examining the Mapping Functions of Denoising Autoencoders in Singing Voice Separation. IEEE ACM Trans. Audio Speech Lang. Process. 28 (2020)
Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate Londoño, Moises Betancur Peláez
Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter. ISMIR (2020)
Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. ISMIR (2020)
Estefanía Cano, Hanna M. Lukashevich
Selective Hearing: A Machine Listening Perspective. MMSP (2019)
Estefanía Cano, Scott Beveridge
Microtiming Analysis in Traditional Shetland Fiddle Music. ISMIR (2019)
Sascha Grollmisch, Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil
Ensemble Size Classification in Colombian Andean String Music Recordings. CMMR (2019)
Juan Sebastián Gómez Cañón, Perfecto Herrera, Emilia Gómez, Estefanía Cano
The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. CoRR (2019)
Stylianos Ioannis Mimilakis, Konstantinos Drossos, Estefanía Cano, Gerald Schuller
Examining the Mapping Functions of Denoising Autoencoders in Music Source Separation. CoRR (2019)
Estefanía Cano, Derry FitzGerald, Antoine Liutkus, Mark D. Plumbley, Fabian-Robert Stöter
Musical Source Separation: An Introduction. IEEE Signal Process. Mag. 36 (1) (2019)
Juan S. Gómez, Jakob Abeßer, Estefanía Cano
Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning. ISMIR (2018)
Stylianos Ioannis Mimilakis, Estefanía Cano, Derry FitzGerald, Konstantinos Drossos, Gerald Schuller
Examining the Perceptual Effect of Alternative Objective Functions for Deep Learning Based Music Source Separation. ACSSC (2018)
Estefanía Cano, Judith Liebetrau, Derry Fitzgerald, Karlheinz Brandenburg
The Dimensions of Perceptual Quality of Sound Source Separation. ICASSP (2018)
Estefanía Cano, Johannes Nowak, Sascha Grollmisch
Exploring sound source separation for acoustic condition monitoring in industrial scenarios. EUSIPCO (2017)
Jakob Abeßer, Klaus Frieler, Estefanía Cano, Martin Pfleiderer, Wolf-Georg Zaddach
Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos. IEEE ACM Trans. Audio Speech Lang. Process. 25 (1) (2017)
Estefanía Cano, Derry FitzGerald, Karlheinz Brandenburg
Evaluation of quality of sound source separation algorithms: Human perception vs quantitative metrics. EUSIPCO (2016)
Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach
Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. ISMIR (2015)
Daniel Matz, Estefanía Cano, Jakob Abeßer
New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools. ISMIR (2015)
Christof Weiß, Estefanía Cano, Hanna M. Lukashevich
A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from Audio. Semantic Audio (2014)
Estefanía Cano, Mark D. Plumbley, Christian Dittmar
Phase-based harmonic/percussive separation. INTERSPEECH (2014)
Estefanía Cano
Tonhöheninformierten Trennung in Solo-Begleitspuren. Ausgezeichnete Informatikdissertationen (2014)
Estefanía Cano, Gerald Schuller, Christian Dittmar
Pitch-informed solo and accompaniment separation towards its use in music education applications. EURASIP J. Adv. Signal Process. 2014 (2014)
Christian Dittmar, Pedro Mercado, Holger Grossmann, Estefanía Cano
Towards lyrics spotting in the SyncGlobal project. CIP (2012)
Johannes Krasser, Jakob Abeßer, Holger Großmann, Christian Dittmar, Estefanía Cano
Improved music similarity computation based on tone objects. Audio Mostly Conference (2012)
Estefanía Cano, Christian Dittmar, Gerald Schuller
Efficient implementation of a system for solo and accompaniment separation in polyphonic music. EUSIPCO (2012)
Estefanía Cano, Christian Dittmar, Gerald Schuller
Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals. Semantic Audio (2011)
Christian Dittmar, Holger Großmann, Estefanía Cano, Sascha Grollmisch, Hanna M. Lukashevich, Jakob Abeßer
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. CMMR (2010)