NIME

Publications

2022

Jean-Philippe Côté
User-Friendly MIDI in the Web Browser. NIME (2022)
Giacomo Lepri, John Bowers, Samantha Topley, Paul Stapleton, Peter Bennett, Kristina Andersen, Andrew McPherson
The 10, 000 Instruments Workshop - (Im)practical Research for Critical Speculation. NIME (2022)
Doga Cavdir
Touch, Listen, (Re)Act: Co-designing Vibrotactile Wearable Instruments for Deaf and Hard of Hearing. NIME (2022)
Lia Mice, Andrew McPherson
The M in NIME: Motivic analysis and the case for a musicology of NIME performances. NIME (2022)
Beat Rossmy, Maximilian Rauh, Alexander Wiethoff
Towards User Interface Guidelines for Musical Grid Interfaces. NIME (2022)
Rodney DuPlessis
A virtual instrument for physics-based musical gesture: CHON. NIME (2022)
Jack Armitage, Thor Magnusson, Victor Shepardson, Halldór Úlfarsson
The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument. NIME (2022)
Eevee Zayas-Garin, Andrew McPherson
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. NIME (2022)
Laddy Patricia Cadavid Hinojosa
Kanchay_Yupana\slash \slash: Tangible rhythm sequencer inspired by ancestral Andean technologies. NIME (2022)
Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. NIME (2022)
Linnea Kirby, Paul Buser, Marcelo M. Wanderley
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. NIME (2022)
Krzysztof Cybulski
Post-digital sax - a digitally controlled acoustic single-reed woodwind instrument. NIME (2022)
Laurel Pardue, S. M. Astrid Bin
The Other Hegemony: Effects of software development culture on music software, and what we can do about it. NIME (2022)
Nick Warren, Anil Çamci
Latent Drummer: A New Abstraction for Modular Sequencers. NIME (2022)
Charlie Roberts, Ian Hattwick, Eric Sheffield, Gillian Smith
Rethinking networked collaboration in the live coding environment Gibber. NIME (2022)
Anna Xambó, Visda Goudarzi
The Mobile Audience as a Digital Musical Persona in Telematic Performance. NIME (2022)
Brady Boettcher, John Sullivan, Marcelo M. Wanderley
Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. NIME (2022)
Anil Çamci, John Granzow
Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments. NIME (2022)
Florent Berthaut, Luke Dahl
The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles. NIME (2022)
Jianing Zheng, Nick Bryan-Kinns
Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional Prototypes. NIME (2022)
Enrico Dorigatti, Raul Masu
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward. NIME (2022)
Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. NIME (2022)
Yichen Wang, Charles Martin
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. NIME (2022)
Timothy Tate
The Concentric Sampler: A musical instrument from a repurposed floppy disk drive. NIME (2022)
Travis J. West, Kalun Leung
early prototypes and artistic practice with the mubone. NIME (2022)
Anthony T. Marasco
Approaching the Norns Shield as a Laptop Alternative for Democratizing Music Technology Ensembles. NIME (2022)
Harri Renney, Silvin Willemsen, Benedict R. Gaster, Tom Mitchell
HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis. NIME (2022)
Jiayue Cecilia Wu
Today and Yesterday: Two Case Studies of China's NIME Community. NIME (2022)
Juan Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Pablo Ernesto Riera, Joaquín Rizza
Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in Argentina. NIME (2022)
Beat Rossmy
Buttons, Sliders, and Keys - A Survey on Musical Grid Interface Standards. NIME (2022)
Thor Magnusson, Chris Kiefer, Halldór Úlfarsson
Reflexions upon Feedback. NIME (2022)
Takahiro Kamatani, Yoshinao Sato, Masato Fujino
Ghost Play - A Violin-Playing Robot using Electromagnetic Linear Actuators. NIME (2022)
Seth D. Thorn, Byron Lahey
Decolonizing the Violin with Active Shoulder Rests (ASRs). NIME (2022)
Ivica Bukvic
Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter. NIME (2022)
Max Graf, Mathieu Barthet
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. NIME (2022)
Francesco Ardan Dal Rì, Raul Masu
Exploring Musical Form: Digital Scores to Support Live Coding Practice. NIME (2022)
Nicole Robson, Andrew McPherson, Nick Bryan-Kinns
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. NIME (2022)
Jackson Goode, Stefano Fasciani
A Toolkit for the Analysis of the NIME Proceedings Archive. NIME (2022)
Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson
Exploring Experiences with New Musical Instruments through Micro-phenomenology. NIME (2022)
Georgios Diapoulis, Iannis Zannos, Kivanç Tatar, Palle Dahlstedt
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. NIME (2022)
Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. NIME (2022)
22nd International Conference on New Interfaces for Musical Expression, NIME 2022, online, June 28 - July 1, 2022 NIME (2022)
Zak Argabrite, Jim Murphy, Sally Jane Norman, Dale A. Carnegie
Technology is Land: Strategies towards decolonisation of technology in artmaking. NIME (2022)
Rébecca Kleinberger, Nikhil Singh, Xiao Xiao, Akito van Troyer
Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression. NIME (2022)
Juan Pablo Martinez-Avila, João Tragtenberg, Filipe Calegario, Ximena Alarcón, Laddy Patricia Cadavid Hinojosa, Isabela Corintha Almeida, Teodoro Dannemann, Javier Jaimovich, Adnan Marquez-Borbon, Martin Matus Lerner, Miguel Angel Ortiz Pérez, Juan Mariano Ramos, Hugo Solís García
Being (A)part of NIME: Embracing Latin American Perspectives. NIME (2022)
Lonce Wyse, Prashanth Thattai Ravikumar
Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. NIME (2022)
Daniel Chin, Gus Xia
A Computer-aided Multimodal Music Learning System with Curriculum: A Pilot Study. NIME (2022)
Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, Arthur Paté
Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments. NIME (2022)
Victor Paredes, Jules Françoise, Frédéric Bevilacqua
Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions. NIME (2022)
Karitta Zellerbach, Charlie Roberts
A Framework for the Design and Analysis of Mixed Reality Musical Instruments. NIME (2022)