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Oliver Hödl
ORCID
Publication Activity (10 Years)
Years Active: 2012-2024
Publications (10 Years): 13
Top Topics
Human Recognition
Musical Instrument
Pilot Study
Live Streaming
Top Venues
Audio Mostly Conference
ICFEC
MobileHCI
CHI PLAY (Companion)
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Publications
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Oliver Hödl
An Electronic Engineering Approach for Turning a Lego Brick Piano into a Musical Instrument.
IEEE Access
12 (2024)
Vasileios Karagiannis
,
Shievam Kashyap
,
Nikolas Zechner
,
Oliver Hödl
,
Georg Hartner
,
Manuel Llorca
,
Tooraj Jamasb
,
Stefan Grünberger
,
Marc Kurz
,
Christoph Schaffer
,
Stefan Schulte
A Framework for Enabling Cloud Services to Leverage Energy Data.
IC2E
(2023)
Vasileios Karagiannis
,
Astrid Al-Akrawi
,
Oliver Hödl
Data Sovereignty at the Edge of the Network.
ICFEC
(2023)
Oliver Hödl
,
Albert Rafetseder
,
Patricia Hu
,
Fares Kayali
STEAM for non-novice STEM students with Digital Musical Instruments.
Audio Mostly Conference
(2022)
Oliver Hödl
’Blending Dimensions’ when Composing for DMI and Symphonic Orchestra.
NIME
(2019)
Oliver Hödl
,
Peter Oberhauser
,
Peter Reichl
cosy: sonics - A Mobile App to Explore Technology Reflection Among Students.
FMT
(2018)
Fares Kayali
,
Oliver Hödl
,
Christoph Bartmann
,
Ulrich Kühn
,
Thomas Wagensommerer
,
Ruth Mateus-Berr
Learnings from an Iterative Design Process for Technology-Mediated Audience Participation (TMAP) using Smartphones.
EAI Endorsed Trans. Creative Technol.
5 (14) (2018)
Katta Spiel
,
Katharina Werner
,
Oliver Hödl
,
Lisa Ehrenstrasser
,
Geraldine Fitzpatrick
Creating community fountains by (re-)designing the digital layer of way-finding pillars.
MobileHCI
(2017)
Fares Kayali
,
Oliver Hödl
,
Geraldine Fitzpatrick
,
Peter Purgathofer
,
Alexander Filipp
,
Ruth Mateus-Berr
,
Ulrich Kühn
,
Thomas Wagensommerer
,
Johannes Kretz
,
Susanne Kirchmayr
Playful Technology-Mediated Audience Participation in a Live Music Event.
CHI PLAY (Companion)
(2017)
Fares Kayali
,
Christoph Bartmann
,
Oliver Hödl
,
Ruth Mateus-Berr
,
Martin Pichlmair
Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs.
INTETAIN
(2016)
Peter Reichl
,
Christian Löw
,
Svenja Schröder
,
Thomas Schmidt
,
Bernhard Schatzl
,
Valon Lushaj
,
Oliver Hödl
,
Florian Güldenpfennig
,
Christopher Widauer
The Salome Experience: Opera Live Streaming and Beyond.
CHI Extended Abstracts
(2016)
Florian Güldenpfennig
,
Oliver Hödl
,
Peter Reichl
,
Christian Löw
,
Andreas Gartus
,
Matthew Pelowski
TASK: Introducing The Interactive Audience Sensor Kit.
Tangible and Embedded Interaction
(2016)
Geraldine Fitzpatrick
,
Hilda Tellioglu
,
Wolfgang L. Zagler
,
Margit Pohl
,
Florian Güldenpfennig
,
Oliver Hödl
,
Roman Ganhör
,
Peter Mayer
,
Christopher Frauenberger
Organisational Overview: Institute for Design and Assessment of Technology, Vienna University of Technology (TU Wien).
INTERACT (4)
(2015)
Oliver Hödl
,
Geraldine Fitzpatrick
,
Simon Holland
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation.
ICMC
(2014)
Simon Holland
,
Rachel L. Wright
,
Alan Wing
,
Thomas Crevoisier
,
Oliver Hödl
,
Maxime Canelli
A Pilot Study Using Tactile Cueing for Gait Rehabilitation Following Stroke.
REHAB
(2014)
Simon Holland
,
Rachel L. Wright
,
Alan Wing
,
Thomas Crevoisier
,
Oliver Hödl
,
Maxime Canelli
A gait rehabilitation pilot study using tactile cueing following hemiparetic stroke.
PervasiveHealth
(2014)
Naemi Luckner
,
Fares Kayali
,
Oliver Hödl
,
Peter Purgathofer
,
Geraldine Fitzpatrick
,
Erika Mosor
,
Daniela Schlager-Jaschky
,
Tanja Stamm
From Research to Design - Sketching a Game to Trigger Reminiscence in Older Adults.
SouthCHI
(2013)
Fares Kayali
,
Naemi Luckner
,
Oliver Hödl
,
Geraldine Fitzpatrick
,
Peter Purgathofer
,
Tanja Stamm
,
Daniela Schlager-Jaschky
,
Erika Mosor
Elements of Play for Cognitive, Physical and Social Health in Older Adults.
SouthCHI
(2013)
Oliver Hödl
,
Geraldine Fitzpatrick
Exploring the Design Space of hand-Controlled Guitar effects for Live Music.
ICMC
(2013)
Oliver Hödl
,
Fares Kayali
,
Geraldine Fitzpatrick
Designing Interactive Audience Participation using Smart phones in a Musical Performance.
ICMC
(2012)