Lauren Hayes

Publication Activity (10 Years)

Years Active: 2011-2021
Publications (10 Years): 14

Top Topics

Unsupervised Texture Segmentation

Music Collections

Everyday Objects

Haptic Feedback

Top Venues

Comput. Music. J.

Publications

Lauren Hayes, Adnan Marquez-Borbon
Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies. Comput. Music. J. 44 (2-3) (2021)
Lauren Hayes
Enacting Musical Worlds: Common Approaches to using NIMEs within Performance and Person-Centred Arts Practices. CoRR (2020)
Yanjun Lyu, Brandon Mechtley, Lauren Hayes, Sha Xin Wei
Tableware: Social Coordination Through Computationally Augmented Everyday Objects Using Auditory Feedback. HCI (47) (2020)
Gabriella Isaac, Lauren Hayes, Todd Ingalls
Cross-Modal Terrains: Navigating Sonic Space through Haptic Feedback. CoRR (2020)
Lauren Hayes, Adnan Marquez-Borbon
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. CoRR (2020)
Lauren Hayes, Adnan Marquez-Borbon
Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. NIME (2020)
Brandon Mechtley, Todd Ingalls, Lauren Hayes, Byron Lahey, Jessica Rajko, Seth Dominicus Thorn, Robert LiKamWa, Julian Stein, Garrett Laroy Johnson, Emiddio Vasquez, Connor Rawls, Peter Weisman, Assegid Kidane, Sha Xin Wei
Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures. Tangible and Embedded Interaction (2019)
Lauren Hayes
Live Electronic Music Performance: Embodied and Enactive Approaches. MOCO (2018)
Gabriella Isaac, Lauren Hayes, Todd Ingalls
Cross-modal terrains: navigating sonic space through haptic feedback. NIME (2017)
Lauren Hayes, Jessica Rajko
Towards an Aesthetics of Touch. MOCO (2017)
Lauren Hayes
Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education. Comput. Music. J. 41 (3) (2017)
Lauren Hayes
Sound, Electronics and Music: an evaluation of early embodied education. ICMC (2016)
Lauren Hayes
Skin Music (2012): an Audio-Haptic Composition for Ears and Body. Creativity & Cognition (2015)
Lauren Hayes
Enacting musical worlds: common approaches to using nimes within both performance and person-centred arts practices. NIME (2015)
Lauren Hayes
Performing articulation and expression through a Haptic Interface. ICMC (2012)
Lauren Hayes
Vibrotactile Feedback-Assisted Performance. NIME (2011)